Salve,
Renaissance art is full of horses, and while looking for some examples of Alphonse de Nueville art ( Alphonse-Marie-Adolphe_de_Neuville great French military and equine painter of XIX century) I found two nice Renaissance drawings from France. I find them quite intriguing as they show rather large horses, most likely stallions or geldings, in harness outfits that resemble Medieval, Renaissance and Baroque carousels (equine festivals with equine games and displays of courtly ridding).
Ad rem, the French net library/depository 'Joconde' offers us these two fine ink wash drawings from the 3rd quarter of XVI century by the workshop of Niccolo dell'Abbate dell'Abbate , Italian artist who worked in XVI century France and was one of the masters of the Fontainebleau School.
In the first drawing we can see a page holding a saddled parade horse, dressed for occasion. It seems to me that our messer Niccolo or his pupil was showing a proposed design for a horse parade outfit, most likely intended for his royal masters, the House de Valois as horse furniture/harness in this painting showing Francis I and H.R. Emperor Charles V Franz_I_und_Karl_V or in this famous full armor portrait of Francis I, nota bene we need to examine it in the future as opposed to the Titian's Charles V portrait , commons FrancoisI I France.jpg Tizian Charles V . Besides the flamboyant harness we can observe a very nicely decorated war saddle, long stirrup leathers, long curb-bit (long shanks), two cinches/girths.
Drawing below shows a page riding another caparisoned horse. Here we got this beautifully drawn example of a gaited horse, ridden by a page with one hand in a really long-shanked curb-bit. Please note that the saddle is different from the one above, it is not a war saddle per se, as it seems to lack the extended thigh protectors characteristic to XV-XVI century war saddles, or perhaps it represents the new type of Western European saddle. Again we see two cinches/girths and long stirrup leathers. The style of ridding, long stirrups etc, seems to be what the Spanish and Portugese called ' la brida.'
This bridle, like the one above, has a not throatlatch per se, but there is a second 'headstall' attached to the proper headstall acting both a throatlatch and a suspender for a small tassel, done in the ancient Turkish/Islamic/Mongol fashion.
Here you can see an example of the master Niccolo painted horses, a but different from these two drawings - Niccolo dell'Abbate_002.jpg
Equestrian Polish, Eurasian and the Americas history and horsemanship - from Bronze Age to circa1939AD. Historical equestrian art, my own artwork; reconstructions, and some traditional art media and digital artwork-related topics. All rights reserved unless permitted by 'Dariusz caballeros' aka DarioTW, copyleft or fair use.
Sunday, December 5, 2010
Sunday, November 28, 2010
a sketch in progress - Lisowczyk
Salve,
a sketch in progress - working over an old watercolor - I am using GIMP and MyPaint
This time the subject is loosely based on the Lisowczyk - lisowczycy (plural) or Liswoski kozaks theme -
wiki/Lisowczycy
Juliusz Kossak's Lisowczyk
Kossak's lisowczyk2
Michalowsk Jezdziec Lisowczyk
Brandt Pochod_Lisowczykow.jpg
Brandt Lisowczycy_przed_gospoda
Brandt Lisowczycy Strzelanie z luku
in the last painting please note the Moldavian border fortress of Khotin (Chocim) in the background wiki/Khotyn .
The Polish-Lithuanian Commonwealth army is pictured in the foreground, the gathered banners and regiments and Cossacks are already getting a horsearchery show by the lisowczycy while the Polish forces have been preparing to fight to death at this southwestern border of Commonwealth, being entrenched within their much fortified camps around the Khotyn fortress, they know the Ottoman Turkish army augmented by the Tatars would come soon, it is AD 1621.
I will post progress of this one too, later next month, I hope..
ps
interesting blog (in Polish) by painter Jarek Glod who is copying/painting great Kossak and other masters' works and showing his own works' progress http://nabial.blogspot.com/2008_11_01_archive.html
a sketch in progress - working over an old watercolor - I am using GIMP and MyPaint
This time the subject is loosely based on the Lisowczyk - lisowczycy (plural) or Liswoski kozaks theme -
wiki/Lisowczycy
Juliusz Kossak's Lisowczyk
Kossak's lisowczyk2
Michalowsk Jezdziec Lisowczyk
Brandt Pochod_Lisowczykow.jpg
Brandt Lisowczycy_przed_gospoda
Brandt Lisowczycy Strzelanie z luku
in the last painting please note the Moldavian border fortress of Khotin (Chocim) in the background wiki/Khotyn .
The Polish-Lithuanian Commonwealth army is pictured in the foreground, the gathered banners and regiments and Cossacks are already getting a horsearchery show by the lisowczycy while the Polish forces have been preparing to fight to death at this southwestern border of Commonwealth, being entrenched within their much fortified camps around the Khotyn fortress, they know the Ottoman Turkish army augmented by the Tatars would come soon, it is AD 1621.
I will post progress of this one too, later next month, I hope..
ps
interesting blog (in Polish) by painter Jarek Glod who is copying/painting great Kossak and other masters' works and showing his own works' progress http://nabial.blogspot.com/2008_11_01_archive.html
Thursday, November 25, 2010
King of Poland Royal uhlans 1770s
Salve,
English travelers' accounts of their voyages during have of the XVI-XIX have been great source of information for this blog, my friend Radek found some interesting account of the 1770s uhlan regiment, serving as a household unit of the King of Poland:
Travels into Poland, Russia, Sweden, and Denmark: interspersed ..., Volume 1
By William Coxe, page 140Ulans or Uhlans for the King
The king has a corps of 2000 troops in his own pay, and entirely dependent upon himself. These troops consist chiefly of Ulans or light horse, who furnish alternately the escort which accompanies his majesty. We saw a small party, about thirty, who were encamped near his villa, and had afterwards an opportunity of examining them more minutely.
The Ulans are chiefly Tartars, many of them Mahometans, and are greatly to be relied on for their fidelity. The corps is composed of gentlemen and vassals : they all form in squadron together, but are differently armed ; they both indiscriminately carry sabres and pistols, but the gentlemen only bear lances of about ten feet long ; instead of which, the others are armed with carabines. Their dress is a high fur cap, a green and red jacket, pantaloons of the fame colour, which cover the boots as low as the ankle; and a petticoat of white cloth descending to the knee*. Their heads are all shaved after the Polish manner. Their lances, at the end of which is fastened a long swallow-tailed flag [pennon] of black and red cloth, are shorter and weaker than those of the Austrian Croats, but they carry and use them much in the same manner, and with no less dexterity. The men were of different sizes, and seemed fine and well-grown, but were greatly disfigured with their petticoats and pantaloons.
Polish horses for light cavalry
The horses on which they were mounted. were about fourteen hands high, of remarkable spirit, with great strength of shoulder.
Poland is much esteemed for its breed of horses; and the king of Prussia procures his light cavalry from this country.
On the ruin of the Polish horses
The breed, however, has been almost ruined during the late civil wars*, and the nobility are now chiefly supplied from Tartary.
Coxe, Travels vol1 (page 140)
* I intend to draw and paint several reconstructions of these Royal Uhlans (ulans) - pan Bronislaw Gembarzewski premier military uniform historian from Poland seen in this relief B.Gembarzewski , in his monumental work 'Polish Soldier - arms and equipment' vol II has some interesting reconstructions and cites sources for the Royal Uhlans, from 1770s through 1794.
*Polish-Lithuanian Commonwealth wikipedia.org/wiki/Polish-Lithuanian_Commonwealth under the Saxon kings was subject to increasing Russian influence during the first half of XVIII century, and after the last Polish king, Stanislaw August Poniatowski S_A_Poniatowski - his election at Wola was subject to some paintings showing Polish horses eg Election_of_Stanislaw_II_August_of_Poland_at_Wola muzeum w Poznaniu , was elected with full support of the Russian army bayonets, coercion and money PLC become Russian protectorate. Enraged patriotic elements of nobility declared a confederacy (at the ancient fortress of Bar in present Ukraine) and civil war erupted, but it has to be stressed that quickly the Polish-Lithuanian royal armies had been replaced by the Russian forces that had battled Bar Confederates troops for 4 years - wikipedia.org/wiki/Bar_Confederation
The end of Bar Confederacy resistance spurred three black eagles: Russia, Prussia and Austrian Empire cease the moment and to take some defenseless Polish-Lithuanian territory. Russia received the least developed areas but Prussia took the ethnically Polish territories of northern Poland and begun infamous Prussian robbery of Polish-Lithuanian foreign commerce profits and in the end caused the economic strangulation of the country (including counterfeiting Polish currency and imposing huge tariffs on PLC agricultural exports and other commerce), while the losses to Austria were painful because they took some of the best cities ( the Royal city of Lwow-Lviv, returned in 1918 to be again stolen from Poland in 1939 and 1944 by the 1st class world murderer and genocidal tyrant J. Stalin ), most populated areas of the country, including the horse breeding areas of southern Poland - it was the so called First Partition of Poland wikipedia.org/wiki/First_Partition_of_Poland
Happy Thanksgiving to all my US friends, readers and followers :)
ps
a little sketch after drawing by Juliusz Kossak
Wednesday, November 24, 2010
mustangs from Colorado
Salve,
Last month I visited the Rocky Mountains of Colorado and came across some Mustangs (aka wild horses) that had been captured by the BLM (Bureau of Land management) and sold of at a public auction.
Horses in these pictures come from Nevada and Wyoming, captured at a tender age of 1 year (yearlings), and since then have been living in a green pasture close to Elicot, Co. Note that until the summer the gray gelding had been a stallion.
In these pictures you can not see clearly but they do have the BLM freeze markings and I will add some more where they are visible.
enjoy
Last month I visited the Rocky Mountains of Colorado and came across some Mustangs (aka wild horses) that had been captured by the BLM (Bureau of Land management) and sold of at a public auction.
Horses in these pictures come from Nevada and Wyoming, captured at a tender age of 1 year (yearlings), and since then have been living in a green pasture close to Elicot, Co. Note that until the summer the gray gelding had been a stallion.
In these pictures you can not see clearly but they do have the BLM freeze markings and I will add some more where they are visible.
enjoy
Labels:
American horses,
mustangs,
photos,
wild horses
Tuesday, November 23, 2010
Muscovite Reitar 1660s - update I
Salve,
a bit of an update on my Muscovite Reitar started here muscovite-reitar-1660s
I added double reins and a curb-bit (Polish. munsztunk) on a horse, made horse's neck a bit longer; on the officer - a longer beard (hope you like it better, Kadrinazi), and then some other little equipment parts that make this soldier appear more 'historic'
pa ka
a bit of an update on my Muscovite Reitar started here muscovite-reitar-1660s
I added double reins and a curb-bit (Polish. munsztunk) on a horse, made horse's neck a bit longer; on the officer - a longer beard (hope you like it better, Kadrinazi), and then some other little equipment parts that make this soldier appear more 'historic'
pa ka
Sunday, November 21, 2010
Władysław Szerner - Polish horse and genre painter
Salve,
today a little too forgotten painter of the Munich School of Polish painting:
Władysław Szerner agraart.pl szerner , born in 1839, studied art at the Warsaw School of Fine Arts beginning in 1862. Unfortunately for his studies one year later, when Motherland called, he, a very promising artist, joined the Polish army during the 1863 January Uprising http://en.wikipedia.org/wiki/January_Uprising . As we know the January uprising ended in defeat and pan (Mr.) Szerner was forced to emigrate after the defeat to France and eventually settled in Bavaria.
After studies at the Munich Art Academy - with various German masters, Alexander Wagner, Hermann Anschütz and Alexander Strähuber, he became an independent artist, and his atellier was next to the famous one of Jozef Brandt, and these two Polish artist became fast friends, especially because they shared similar interest in Polish history and genre paintings. Their freindship lasted for life and Pan Szerner often traveled with Brandt to his estate in Oronsko, near Radom, and partook in Brandt's excursions to the Old Polish Borderland aka Kresy (Ukraine). Being a member of Munich Kunstverein kunstverein-muenchen.de , he exhibited there from 1874 until 1909, as well as in Lwow(Lviv), Cracow and Warsaw. He was admired by many literary personages of the XIX century Poland, eg J.I. Kraszewski en.wikipedia.org Kraszewski prized him for being able to capture scenes of Poland's countryside au naturel, with believable detail and with joyful flavour so characteristic of these picturesque sites .
He not only painted horses and the images of Old Poland, but also was a skilled graphic artist and draughtsman, and was able to copy in pencil many famous paintings by his friend Brandt so they could be engraved and printed in various contemporary periodicals, eg 'Kłosy' and 'Tygodnik Ilustrowany' of Warsaw, to the delight of many a reader.
Later on he started painting the 'exotique' and wonderfully colorful inhabitants of the eastern Carpathian Mountians - the Huculs (Hutzuls).
His art is in many private collections, and his works fetch reasonable prices at auctions. He had a son, also a painter, and their quite similar works can be subject to forgeries, as father's works are more expensive nowadays.
A horse -MyPaint-Gimp drawing
salve,
todays image came about when I was looking at the paintings of the Polish XIX century painter (and the XIX century Munich School of Polish painting main persona) : Jozef Brandt, whose horses, from the Old noble Polish Ukraine, were splendid creatures of legend and reality, both at the same time :)
a nice display of 'mosci' Jozef Brandt's art - pinakoteka.zascianek.pl/Brandt
This the effect of my 2 hour afternoon study in digital brushwork - Mypaint and Gimp PS, great open source software for Linux Ubuntu.
'
ps
a little peek at the horse and military art on the Internet:
by chance I found this fine artwork of Spanish military history painter (uses acrylics and watercolor) Angel Garcia Pinto and his blog. I must say that Señor Pinto's blog is a splendid display of his gorgeous historical illustration - angelgpinto.blogspot
the next artist's brushwork is fantastic: he hauls from Catalunia (province of Spain) and he is the most exceptional painter of horses and Spanish XIX century military history - don Augusto Ferrer Dalmau - arteclasic.com
Another fine Spanish military art and horse painter Jose Ferre Clauzel - jose ferre clauzel
Labels:
horse drawing and painting,
Józef Brandt
Saturday, November 20, 2010
Royal City of Lwow Banner 1410 sketch
Salve,
this past July there was 600 anniversary of the battle of Grunwald (Tannenberg) and Polish-Lithuanian-Ruthenian victory over the Western European knights and Teutonic Kinghts.
I started working on this piece a while ago - it is far from finished, perhaps too far. It purports to show a Lwow banner 'ensign' mounted on his faithful 'dextrarius' aka English language 'destrier' - I am not going to refer here to the Wikipedia page on the subject as it is not a good entry.
this past July there was 600 anniversary of the battle of Grunwald (Tannenberg) and Polish-Lithuanian-Ruthenian victory over the Western European knights and Teutonic Kinghts.
I started working on this piece a while ago - it is far from finished, perhaps too far. It purports to show a Lwow banner 'ensign' mounted on his faithful 'dextrarius' aka English language 'destrier' - I am not going to refer here to the Wikipedia page on the subject as it is not a good entry.
American themes
Salve,
some native Amerindian themes, I hope to do many more in the future, especially Cheyennes (I admit I have been looking at the XIX century Cheyenne Ledger art) and Comanches and Utes (been lately to a old battlefield place where more than 160 years ago Comanches and Utes fought, and 240 years ago Spanish-Apache-Pueblo expedition was crossing the Continental Divide searching for the Cuerno Verde's Comanches)
some native Amerindian themes, I hope to do many more in the future, especially Cheyennes (I admit I have been looking at the XIX century Cheyenne Ledger art) and Comanches and Utes (been lately to a old battlefield place where more than 160 years ago Comanches and Utes fought, and 240 years ago Spanish-Apache-Pueblo expedition was crossing the Continental Divide searching for the Cuerno Verde's Comanches)
Friday, November 19, 2010
Turkish rider sketch
Salve,
this one is reworking of an old sketch into a new image, this time he is going to be a Ottoman Turkish cavalryman or .. well, whether an akinci, delier or sipahi I do not know yet. Time period XVI century CE.
this one is reworking of an old sketch into a new image, this time he is going to be a Ottoman Turkish cavalryman or .. well, whether an akinci, delier or sipahi I do not know yet. Time period XVI century CE.
V.
Labels:
lance,
lance cavalry,
Ottoman Turkish saddle,
sketches
Polish light Rider sketch in progress
Salve,
I am working on this little animated one, this time i cannot decide what kind of weapons to give to this fellow - a kozak cavalryman (not a Cossack) or Polish-Lithuanian light rider. Wearing a zupan, bare-headed, with his bow and arrow, and faithful sabre... the rest it is still to be seen
I am working on this little animated one, this time i cannot decide what kind of weapons to give to this fellow - a kozak cavalryman (not a Cossack) or Polish-Lithuanian light rider. Wearing a zupan, bare-headed, with his bow and arrow, and faithful sabre... the rest it is still to be seen
Gallic sketch
Salve,
a bit of improvement work on this old painting that has never been finished - purports to show Gallic horsemen of the second half of I century BC.
Hopefully I will finish this one and another that shows a horseman hunting a wild boar
a bit of improvement work on this old painting that has never been finished - purports to show Gallic horsemen of the second half of I century BC.
Hopefully I will finish this one and another that shows a horseman hunting a wild boar
Sunday, October 24, 2010
One does not live by sword and horseriding alone :)
Salve,
Our ancestors loved to eat and drink, and only the coming of the Soviet Poland known as PRL (from 1945-90) almost destroyed our national culinary arts. Alas they have been coming back and old recipes have been brought back, and especially Polish meat smoking and fermented sausage making has been having a 'Renaissance' of sorts in Poland and... in the United States and Canada - in the North American there is a bunch of Polish meat making afficionados who collaborated on 3 books already, eg available on Amazon Stanley-Marianski
Note that it is not easy to obtain some good organic pork these days around New York City (as oppose to Montreal, Canada) nor good organic natural (cleaned tripes) casing is readily available.
...this past September my friendWaldi (Waldemar Kozik who also is a friend and collaborator of Mr Marianski ) went to the Catskills (mountains in New York about 2 hours drive from NYC). The purpose of the trip was to ... smoke some Polish sausages he had made based on Old Poland recipes. Valdi gets most of his meats from this one great Greek butcher shop (albeit some Puertoricans and Dominicans work there too, it is the Big Apple after all) in Astoria, Queens. We go there to get some good Kalamata lives, oil and other great Greek goods - in XVII century our ancestors had Armenian and Turkish merchants bring saffron, cinnamon, cumin, wine from Hungary and further south, Greek raisins, Persian raisins and dates, and other Eastern delicacies so their food was very spice-ed up, but not 'hot' or picante/caliente in Thai or Mexican style. I am not a specialist on the food history so let us leave the food history and get back to our story.
Valdi came back after a week, looking very 'mountain man' :) and only his faithful Tibetan Lhasa Apso 'Zack' saved his skin and brought him back to civilization, while his coolers were full of wonderfully smoked sausages and meats.
Naturally as friend do, we then had a 'potlatch' ( in a Polish tradition) and some sausages were brought forth: Lisiecka (favorite of our beloved pope John Paul II), Krakowska Dry (still drying :) ), Hunter (Mysliwska), dark venison sausage (made out of whitetail deer meat) and Wiejska (Country natural) along with some 'nalewka' and other stronger spirits from Poland (eg Debowa - oak vodka).
You can see the sausages on these two pictures:
here are sliced Hunter, thick Krakowska in slices and one piece, and Country natural also sliced.
and here is the venison one with the other three sliced and in a pieces.
Valdi is a master of his art (and also a fine photographer) , and in order to try his delicious sausages even some of the New York rich and famous ask him to share his artfully made sausages, smoked salmon and other meats.
Anyway, food was good, especially eaten with rye bread (made our Slavic way which is the best) and after the party ended, I took Lisiecka home and we have been enjoying it a little bit at a time, along with the other 3 sausages.
There is nothing like good food, smooth drink, and fine company when leaves turn golden and red and evenings grow longer and longer. We can only aspire to the feast carried by our Eastern European nobility, be it in Poland, Ukraine, Belarus, Slovakia, Hungary, Russia, Lithuania, Latvia and Romania.
until the next time
Thursday, October 21, 2010
Slow Autumn re-start of my bloggin'
Salve,
I must say that my blogging has been rather slow these days, I do hope it will pick up soon but thus far it is a rather snail pace of a movement. Do forgive me.
Of a subejct I intend to cover within next two months or before the end of the calendar year of 2010
- more Saka and Sarmatians, including their horse tack
- North Americana - meaning Native Amerindians, Spanish colonial, Mexican and American horsemen - in part inspired by sculptural work of fantastic artist David Lemon, who also has become a new 'follower of my blog - David's blog here
- Polish, Russian, Lithuanian etc subjects of XVI-XVIII centuries, here dear Samuel has provided me with so much 'ammunition' from Slovakia and former Hungarian Kingdom that I cannot decide where to start
- some Slavic medieval themes - I got some projects in development
God willing :)
Curious thing happened - I was surfing internet and on this website - Russian military history magazine Zeughaus - in their own publishing company book on the battle of Konotop ( Ukrainian-Crimean Tatars and Polish alliance contra MuscovitesAD 1659 ) battle I saw my own artwork, I inquired further and I found that they sued my artwork on the front title page inside and on page 16 within the corpus of the book itself.
The image shows Crimean Tatar warriors on horseback, and it was published in the Infort Editions book titled Biala Cerkiew (important battle of Polish-Cossack wars) - in 2007 - wanax.pl biala-cerkiew-23-25-IX-1651
These are the pages :) :
and page 16
I do not have to add that my name is not mentioned within the book and that I was not asked about the image being included in the publication... instead the publisher's page carries a note that illustrations inside the book were prepared by V. Typikin, artist...
any my original sketch in ink and acrylic - also above another sketch from that book on the Biala Cerkiew battle.
ps I would like to welcome all new 'followers' of this blog - themselves splendid bloggers :)
Sunday, October 10, 2010
Muscovite Reitar 1660s
Salve,
I have been researching the Russian reitars of the 1653-67 war, that was the war where our Polish-Lithuanian Republic was first invaded by the Tsar of Muscovy Russia ( I use the name Muscovy until the reign of Peter the Great who created Russia, as per Lev Gumilov thesis) then by the Swedes and prince Rakoczi of Transylwania George_II_Rakoczi .
this is the image thus far ...
I have been researching the Russian reitars of the 1653-67 war, that was the war where our Polish-Lithuanian Republic was first invaded by the Tsar of Muscovy Russia ( I use the name Muscovy until the reign of Peter the Great who created Russia, as per Lev Gumilov thesis) then by the Swedes and prince Rakoczi of Transylwania George_II_Rakoczi .
this is the image thus far ...
Saturday, October 9, 2010
The mid-XVIII century Uhlan, der Ulan, Ulan, Улан in the Prussian soldier writing
Salve.
long time ago I wrote this http://dariocaballeros.blogspot.com/2010/02/uani-introduction.html , so now let us jump to this remarkable book from the end of the XVIII century, when a Polish-Lithuanian Tatar (and Polish) lancer was yet to become the famous ulan [uhlan] of the Napoleonic wars. Note that Prussians were actually great importers of Polish horses in the XVI, XVII and XVIII centuries, and most likely the so called Trakehner horse breed was created by the Prussian breeders out of some foundation mares and sires that were of Polish imports in the XVIII century.
'Remarks on Cavalry; by the Prussian Major General of Hussars Warnery' for the first time published in 1781.
on the lance, the 'queen of cavalry battle':
“There was formerly in European armies, a species of cavalry called lancers: they were armed at all points; […] they were all noble or lived nobly, but they could not be employed on all occasions, they were too expensive, each of them was obliged to have two horses for his own person, a large one for battles and tournaments and another for marches and detachments; and beside these, one for the servant who had the care of them: and it was in consequence of the great expence that these troops were discontinued, when the armies were augmented
[our general is obviously simplifying the reason why heavy lancer of XVI and early XVII centuries became obsolete in the Western European theater of war]. It is nevertheless certain, that the lance will always be the Queen of Arms for defensive of this nature of cavalry.”
About Polish-Lithuanian ulans:
“Ulans are nowhere to be found, except in Poland, unless you assimilate them with the pretended Prussian 'Bosniacks'; they have faithfully served the Kings of the House of Saxony [Saxon kings that also were the kings of Polish_Lithuanian Commonwealth in a from of in personal union between the countries, similar to Wladyslaw Jagello] and the present one has three regiments of them in his service; they are well mounted and disciplined, and form an admirable corps of light cavalry: they ought to be all Tartars of Lithuania ( still Muslim), brave, faithful, and steady, and by no means drunkards. There are however amongst them a few Poles; the Respublica [Polish-Lithuanian Commonwealth] has also a few corps or 'pulks,' but they are by no means in the same order that the others are. They have preserved their ancient institutions; the Towarischs [towarzysz] or Noble Comrades [who] have their Podstowy [pocztowy] or servants [retainers], who are Poles; the Towarisch are the masters, and the Podstowy the privates, as formerly in France, the latter perform the ordinary service. […] the arms of the masters are, a pike [a lance] with a banderole [pennon], (or small flag) a sabre and pistols; those of the servants the same as the Hussars [sabre, carbine, a pistol or two]. In an action the latter form in second line in two ranks, in small squadrons, and the masters attack or charge in single rank, which was the custom amongst all the Gen's d'Armes [knights and later lancers].”
“no light troops are better appointed or more active or allert on horseback, than the Polish Ulans: the equipage and appointments of the Ulan and his horse, are admirable, commodious and proper: and although I am not very partial to those of the Hungarians, yet I am persuaded it is very proper for several nations, particularly those in which it is national dress.”
a little on the Polish, Tatar, Moldavian horse and Hungarian too:
...Polish, Tartar, and Moldavian horses, answer better for them [service as light cavalry] than Hungarian, those being extremely degenerated within these fifty years; without doubt, for want of attention to procure stallions from Turkey, which are found to be the best in the Hungarian Haras (or studs,) and they never had any other, while the Turks were in possession of that country.
and when talking about a light horseman's steed our general states :
[...] for Polish horses, as light, strong, and excellent for all the operations of war.
[...]In a course of 600 paces, a good German horse, in condition, will get before a Polish, Tartar, or other horse of that description : but if the course is continued to a greater distance, the latter will regain its ground, leave the other behind, and continue in wind for a much longer time : and should the heavy horse be forced a little beyond his wind, he becomes insensible to the bit and spur, and looses all his activity.
On a light horseman and his equipment, and Polish [sic!] saddles:
For a soldier to be really a light horseman, he must be able to turn his horse quick and short, when in full speed, to raise up and catch any thing from the ground; he will find himself much firmer in his feat, have greater command of his horse, and much more agility in the exercise of his arms, &c. by being mounted on an eastern saddle, that is to say, upon a Hungarian, Turkish, or Polish one [as one can see we Polish people had our own saddles similar to Hungarian and Turkish]; to those who have been accustomed to other saddles, they appear at first to be inconvenient, but they very soon find themselves perfectly at ease in them, and ever after, prefer them to all others; they are very light, cheap, and durable, and do not so often require repairing [sic!] as the others do.
Continuing:
A good goat or sheep's skin, should be used instead of a housse [textile], they will cover at the same time, the pistols and the portmanteau [in a Polish and Hungarian fashion, I should add] ; the bridle also ought to be as light as possible, without any unnecessary buckles or straps; there should be but one attached to the pommel of the saddle, to strap on the cloak rolled up before the trooper, which will be very important, to protect his belly from a thrust with the bayonet or sword, the stirrups should be bronzed; and by these means, the trooper, on his arrival at camp or quarters, has but few straps and buckles to clean. He covers his arms, accoutrements, &c. with the goat-skin, and has time to attend to his horse and himself; in short, every thing should be light and proper, without affectation. I have been informed, that except as to the saddles, the English regiments of Eliott, and Burgoyne, are thus equipped.
The Hussars do not require tents, [...] no light troops are better appointed or more active or allert on horseback, than the Polish Ulans: the equipage and appointments of the Ulan and his horse, are admirable, commodious and proper...
until the next time :)
ps
Juliusz Kossak's watercolor is to show one of the foremost Polish light horse commander and 'zagończyk' (zagonchikh) of the XVIII century Kazimierz (Casimir) Pulaski, 'father of the American cavalry', hero of USA and Poland. Here our Kazimierz is shown during the action against the Russians near the fortified and very Holy monastery of Częstochowa (where our only Queen of Poland resides :) ), that monastery he successfully defended (for 2 years) against the Russian invaders and their Polish supporters during the Bar Confederacy 1768-72.
..the saddles come from the Polish Army Museum in Warsaw, and represent XVIII century Polish-Lithuanian saddlery, most likely from the old royal city of Lwow (Lviv) :)
Saturday, October 2, 2010
sketches
Salve,
a progress sketch of the ancient Iranian horsemen - inspired in part by the
ancient Achaemenid rhyton from Erebuni, Armenia Achaemenid rhyton Erebuni wiki
a progress sketch of the ancient Iranian horsemen - inspired in part by the
ancient Achaemenid rhyton from Erebuni, Armenia Achaemenid rhyton Erebuni wiki
Labels:
ancient horse tack,
ancient Iran,
Persia,
sketches
Monday, September 27, 2010
Xenophon Peri Hippikes - arms and armor for the rider, rider's posture
Salve,
finishing this Xenophon's horsemanship work with a fragment of a mural (Alexandrovo) painting of Thracian horseman hunting wild boar and a vase painting of Odysseus stealing horses at the bottom
Continuing from Chapter XI:
CHAPTER XII.
Of a horseman's armour and arms.
l. We wish also to show how he should be armed who prepares to encounter danger on horseback.
In the first place, then, we say that his coat of mail should be made to suit his body ; because the whole of the body supports one that fits well, but the shoulders only support one that is too loose; and one that is too tight is a prison, and not a coat of defence.
2. Since the neck, too, is one of the vital parts, we think that a covering should be made for it of the same shape with the neck, rising from the coat of mail; for it will not only be an ornament, but, if it be made as it ought to be, will cover the face of the rider, if he wishes, up to the nose.
3. As for the helmet, we consider that which is of Boeotian manufacture to be the best; for it protects most effectually all the parts above the corslet, and yet does not prevent the wearer from seeing.
The coat of mail, again, should be made in such a way that it may not prevent the horseman from sitting or stooping.
4. About the abdomen, too, and the parts below and around, there should be skirts of such a description and size as to protect the limbs.
5. Since, also, if the left hand should be hurt, it disables the rider, we recommend the armour which has been invented for it, and which is called the hand; for it protects the shoulder, the upper part of the arm, the elbow, and the portion of the arm next to the bridle, and can be either expanded or contracted ; and it also covers the part under the arm which is left unguarded by the coat of mail.
6. The right hand a rider must raise, when he wishes either to hurl a weapon or to strike a blow. Whatever portion of the coat of mail, therefore, would obstruct it, must be removed ; and if in its place a sort of flaps with joints be put, they will, when the arm is raised, unfold at the same time, and, when it is let down, will close.
7. As to the right arm, that sort of defence which is put on it like greaves on the leg appears to us to be better adapted for protecting it than that which is attached to the coat of mail; and the part of the arm which is exposed when the right hand is lifted up must be defended near the coat of mail, with a covering made of calf's skin or of brass; otherwise it will be left unguarded in a most dangerous place.
8. Since, too, if the horse is disabled, the rider will be in extreme peril, it is necessary to arm the horse also with defences for his head, his breast, and his shoulders ; for these assist likewise in guarding the rider's thighs. But of all parts of the horse we take most care to protect his belly, for it is at once a most vital and a most defenceless part; but it is possible to protect it by something connected with the housings.'
9. It is necessary, too, that that which covers the horse's back should be put together in such a way that the rider may have a firmer seat,'' and that the back of the horse may not be galled. As to other parts, also, both horse and horseman should be armed with the same precaution.3
10. The legs and feet will naturally hang down below the covering of the thighs; but these parts may be sufficiently protected, if a sort of boots be constructed for them of the leather of which sandals are made ; for such boots may be at once armour for the legs and shoes for the feet.
11. Such is the armour that may prove, if the gods be propitious, a defence against harm. But to inflict injury on an enemy, we recommend the short curved sword rather than the long straight one; for from a horseman, seated aloft, a blow from a curved sword will be more effective than one from a straight sword.
12. Instead of a reed-like spear, as it is weak and inconvenient to carry, we rather approve of two javelins of cornel wood; for a skillful thrower may hurl one of these, and use the other against assailants either in front, or flank, or rear. They are at once stronger than a spear, and more easily carried.
13. We approve of the hurling of a javelin from a great distance; for by that means more time is allowed for throwing it and for taking another weapon. We shall intimate in a few words how the javelin may be hurled with the greatest effect. If the rider advance his left side, at the same time drawing back his right, and rising on his thighs, and launch his weapon with its point directed a little upwards, he will thus send it with the greatest force and to the greatest distance ; and he will send it with the truest aim, if the point, as it is discharged, is directed steadily to the mark.
14. Let these admonitions, and instructions, and exercises be considered sufficient to be prescribed for a private individual. What it is proper for a commander of cavalry to know and to do, is set forth in another treatise.
finishing this Xenophon's horsemanship work with a fragment of a mural (Alexandrovo) painting of Thracian horseman hunting wild boar and a vase painting of Odysseus stealing horses at the bottom
Continuing from Chapter XI:
CHAPTER XII.
Of a horseman's armour and arms.
l. We wish also to show how he should be armed who prepares to encounter danger on horseback.
In the first place, then, we say that his coat of mail should be made to suit his body ; because the whole of the body supports one that fits well, but the shoulders only support one that is too loose; and one that is too tight is a prison, and not a coat of defence.
2. Since the neck, too, is one of the vital parts, we think that a covering should be made for it of the same shape with the neck, rising from the coat of mail; for it will not only be an ornament, but, if it be made as it ought to be, will cover the face of the rider, if he wishes, up to the nose.
3. As for the helmet, we consider that which is of Boeotian manufacture to be the best; for it protects most effectually all the parts above the corslet, and yet does not prevent the wearer from seeing.
The coat of mail, again, should be made in such a way that it may not prevent the horseman from sitting or stooping.
4. About the abdomen, too, and the parts below and around, there should be skirts of such a description and size as to protect the limbs.
5. Since, also, if the left hand should be hurt, it disables the rider, we recommend the armour which has been invented for it, and which is called the hand; for it protects the shoulder, the upper part of the arm, the elbow, and the portion of the arm next to the bridle, and can be either expanded or contracted ; and it also covers the part under the arm which is left unguarded by the coat of mail.
6. The right hand a rider must raise, when he wishes either to hurl a weapon or to strike a blow. Whatever portion of the coat of mail, therefore, would obstruct it, must be removed ; and if in its place a sort of flaps with joints be put, they will, when the arm is raised, unfold at the same time, and, when it is let down, will close.
7. As to the right arm, that sort of defence which is put on it like greaves on the leg appears to us to be better adapted for protecting it than that which is attached to the coat of mail; and the part of the arm which is exposed when the right hand is lifted up must be defended near the coat of mail, with a covering made of calf's skin or of brass; otherwise it will be left unguarded in a most dangerous place.
8. Since, too, if the horse is disabled, the rider will be in extreme peril, it is necessary to arm the horse also with defences for his head, his breast, and his shoulders ; for these assist likewise in guarding the rider's thighs. But of all parts of the horse we take most care to protect his belly, for it is at once a most vital and a most defenceless part; but it is possible to protect it by something connected with the housings.'
9. It is necessary, too, that that which covers the horse's back should be put together in such a way that the rider may have a firmer seat,'' and that the back of the horse may not be galled. As to other parts, also, both horse and horseman should be armed with the same precaution.3
10. The legs and feet will naturally hang down below the covering of the thighs; but these parts may be sufficiently protected, if a sort of boots be constructed for them of the leather of which sandals are made ; for such boots may be at once armour for the legs and shoes for the feet.
11. Such is the armour that may prove, if the gods be propitious, a defence against harm. But to inflict injury on an enemy, we recommend the short curved sword rather than the long straight one; for from a horseman, seated aloft, a blow from a curved sword will be more effective than one from a straight sword.
12. Instead of a reed-like spear, as it is weak and inconvenient to carry, we rather approve of two javelins of cornel wood; for a skillful thrower may hurl one of these, and use the other against assailants either in front, or flank, or rear. They are at once stronger than a spear, and more easily carried.
13. We approve of the hurling of a javelin from a great distance; for by that means more time is allowed for throwing it and for taking another weapon. We shall intimate in a few words how the javelin may be hurled with the greatest effect. If the rider advance his left side, at the same time drawing back his right, and rising on his thighs, and launch his weapon with its point directed a little upwards, he will thus send it with the greatest force and to the greatest distance ; and he will send it with the truest aim, if the point, as it is discharged, is directed steadily to the mark.
14. Let these admonitions, and instructions, and exercises be considered sufficient to be prescribed for a private individual. What it is proper for a commander of cavalry to know and to do, is set forth in another treatise.
Labels:
ancient horse,
Peri Hippikes,
xenophon
Xenophon of horseridding - paces
Continuing from Chapter X:
CHAPTER XI.
Of teaching a horse his paces. How to make him assume showy attitudes.
1. But if a person wishes to possess a horse that is fit for processions, and of lofty and magnificent bearing, such qualities are not to be found in every horse, for he must be one that is of a noble spirit and strong frame.
2. But what some suppose, that a horse which has suppleness of leg will also be able to rear his body high, is not the case; the truth rather is, that it must be a horse which has flexible, short, and strong loins (we do not mean the part by the tail, but that which is between the ribs and the haunches, at the belly), for such a horse will be able to extend his hinder legs far forward under him. 3. If a rider, then, when the horse has his hind legs thus under him, should pull him up with the bridle, he rests his hinder parts on his heels, and rears up the fore part of his body, so that his belly is seen by those in front of him. But when he does this, it is proper to give him the bridle, that he may assume of his own accord the attitudes most graceful in a horse, and appear to the spectators to do so.
4. There are people who teach horses thus to rise, some by striking them on the fetlocks with a stick, some by directing a man, who runs at the side for that purpose, to hit them on the upper part of the legs.
5.We however consider it the best mode of instruction, as we are perpetually saying, that when ever a horse acts agreeably to the wishes of his rider, it should follow that he receive some indulgence from him.
6. For what a horse does under compulsion, as Simon also observes, he does without understanding, and with no more grace than a dancer would display if a person should whip and spur him during his performance; since both horse and man, when suffering such treatment, would exhibit more ungraceful than graceful gestures. But the rider ought to teach a horse by signs to assume of his own accord all his most beautiful and showy attitudes.
7. If, then, when he is exercised, he be ridden till he is quite in a perspiration, and the rider, as soon as he raises himself gracefully, dismounts and unbridles him, he may feel assured that the horse will always be ready to rear himself of his own accord.
8. It is upon horses of this kind that gods and heroes are painted riding, and men who are able to manage them skilfully are regarded as deserving of admiration.
9.So extremely beautiful, and admirable, and noble a sight is a horse that bears himself superbly, that he fixes the gaze of all who see him, both young and old; no one, indeed, leaves him, or is tired of contemplating him, as long as he continues to display his magnificent attitudes.
10. If it should ever happen to the possessor of such a horse to be a phylarch or hipparch, he ought not to make it his study that he alone may enjoy distinction, but rather that all the cavalry under his command may be deserving of admiration,
11. Should such a horse precede the rest, [as people esteem such horses most,] one that, as he advances, rears himself very high and very frequently, it is plain that the other horses would follow him at a slow pace ; but what striking attraction could there be in such a spectacle ?
12. If, however, while you animate your steed, you lead neither with too great quickness nor with too great slowness, but just as horses appear most lively and formidable, and best adapted for exertion, if, I say, you precede the other horses in this manner, the march of the whole troop will be uniform, and even the very neighing and snorting of the horses will be n concert, so that not only the commander himself, but the whole troop, will present an admirable spectacle.
13. If a person be fortunate in purchasing horses, and bring them up to be able to endure fatigue, and train them properly, not only in exercises for war, but in manoeuvres for parade, and in service in the field, what can prevent him, unless some god be adverse to his endeavours, from rendering his horses of far greater value than they were when he took them under his care, or from having not only estimable horses, but being himself greatly admired for his skill in the art of horsemanship.
Xenophon of horse ridding - bit, briddle and hand
Continuing the Horsemanship Chapter IX :
CHAPTER X.
Of the proper management of the bit and bridle.
l. But whoever would desire to have a horse serviceable for war, and at the same time of a stately and striking figure to ride, must abstain from pulling his mouth with the bit, and from spurring and whipping him ; practices which some people adopt in the notion that they are setting their horses off; but they produce a quite contrary effect from that which they intend.
2. For by drawing the mouths of their horses up, they blind them when they ought to see clearly before them, and they frighten them so much by spurring and striking them, that they are confused and run headlong into danger ; acts which distinguish such horses as are most averse to being ridden, and as conduct themselves improperly and unbecomingly.
3. But if a rider teach his horse to go with the bridle loose, to carry his neck high, and to arch it from the head onwards, he would thus lead him to do everything in which the animal himself takes pleasure and pride.
4. That he does take pleasure in such actions, we see sufficient proof; for whenever he approaches other horses, and especially when he comes to mares, he rears his neck aloft, bends his head gallantly, throws out his legs with nimbleness, and carries his tail erect.
5. When a rider, therefore, can prompt him to assume that figure which he himself assumes when he wishes to set off his beauty, he will thus exhibit his steed as taking pride in being ridden, and having a magnificent, noble, and distinguished appearance.
By what means we consider that such results maybe attained, we will now endeavour to show.
6. First of all, then, it is necessary for a rider to have not less than two bits ; and of these let one be smooth, and have rings of a moderate size;' and let the other have rings that are heavy, and hang lower down, with sharp points;2 in order that, when the horse takes the latter into his mouth, he may be offended with its roughness, and consequently let it go, but when he finds it exchanged for the other, he may be pleased with its smoothness ; and that whatever he has been trained to do with the rough bit, he may do also with the smooth.
7. But if, from making light of it for its smoothness, he press upon it frequently with his teeth,1 we in that case add large rings to the smooth bit, that, being compelled by them to open his mouth, he may let go the bit. But it is possible to vary the rough bit in every way, by relaxing or tightening it.
8. But whatever sorts of bits are used, let them all be yielding ; for as to a stiff bit, wherever a horse seizes it, he has the whole of it fast between his teeth, as a person, when he takes up a spit, wherever he lays hold of it, raises up the whole.
9. But the other sort of bit is similar to a chain ; for of whatever part of it a person takes hold, that part alone remains unbent, but the rest hangs down. But as the horse is always catching at the part which escapes him in his mouth, he drops the bit out of his jaws ; and to remedy this inconvenience rings2 are suspended by the middle from the two parts of the bit,3 that while he catches at these with his tongue and his teeth, he may omit to seize the bit between his jaws.4
10. In case any one should be ignorant what flexibility, and rigidity, in a bit are, we will explain the terms ; for a bit is flexible when the two pnrts of it have broad and smooth joints, so as to be easily bent; and everything that is applied about these two parts, if it fit loosely, and not with a close grasp, conduces to flexibility; but if every part of the bit opens and closes with difficulty, it is to be called hard.
11. But whatever sort of bit is used, the rider must do everything with it in the manner which I have stated, if he wishes to make his horse such as has been described.
12. He must pull up the mouth of the horse neither too severely, so as to provoke him to shake himself free from it, nor too gently, so that he may be insensible to it. But when, on pulling him up, lie raises his neck, the rider must immediately give him the bridle. In other respects, too, as we do not cease to repeat, he must, whenever the horse has acquitted himself well, show him some indulgence.
13. When he perceives that the horse is pleased with carrying his head aloft, and with the looseness of the rein, he should then put him to nothing disagreeable, as if he would force him to exert himself, but should coax him, as if he wished him to be at ease; for thus he will feel greatly encouraged, and will advance of his own accord at a swift pace.
14. That a horse delights in going fast, there is sufficient proof; for no horse, on getting loose, goes off at a slow pace, but runs. With this speed he is naturally delighted, provided we do not compel him to run longer than is reasonable; for nothing whatever, immoderately protracted, is agreeable to either horse or man.
15. When the horse was brought to perform his exercise with grace, he was trained by us,1 we know, in the early part of his practice, to advance at full speed after sundry turns. But if any rider, when his horse has learned to do this, should rein him in, and give him at the same time a signal to hasten forward, the horse, being at once checked by the bridle, and incited to speed by the signal, will advance his chest, and lift his legs higher in anger, but not with ease; for horses, when they are annoyed, will assuredly not use their legs with greater agility and grace.
16. But if when he is thus animated, the rider gives him the bridle, he will then, from delight at supposing himself, on account of the looseness of the bit, freed from its restraint, bound forward with exultation, in a noble attitude, and with an easy motion of his limbs, and expressing in every gesture the grace with which he approaches other horses,
17. Persons who view such a horse pronounce him noble-spirited, prompt for action, fit for military exercise, high-mettled, superb, and at once pleasing and formidable to contemplate.
If any one desires such qualities in a horse, let what we have so far written serve as instructions for him.
ps
Greek cavalry Ancient Riding Hellas
Labels:
Peri Hippikes,
war horse ancient Greece,
xenophon
Xenophon o horse ridding -fierce and diffcult warhorse
Xenophon - Continuing from chapter VIII:
CHAPTER IX.
How fierce and high-mettled horses are to be managed.
l. The directions which I have given show how a person may best avoid being deceived in purchasing a colt or a fullgrown horse; how he is least likely to spoil him in putting him to use, more especially if he would produce a horse having all the qualities that a horseman requires for war. But perhaps it is now proper to state how a rider, if he ever happen to have a horse excessively fiery, or excessively sluggish, may treat either of them with the most success.
2. In the first place, then, he ought to know that spirit in a horse is what anger is in a man ; and as a person who should neither say nor do anything annoying to a man would be least likely to anger him, so the rider that does nothing to vex a high-spirited horse will be least likely to provoke him.
3. Accordingly he must be careful, even from the very time that he mounts such a horse, not to discompose him as he takes his seat; and when he is fairly seated, he should allow him to stand quiet for a longer time than a horse of ordinary spirit,1 and then direct him to go forward with the gentlest possible intimations. Beginning to proceed, too, at the slowest pace, he should bring him into a quicker one, in such a manner, that the horse may be as little sensible as possible that he is accelerating his course.
4. But whatever a rider requires a spirited horse to do suddenly, the unexpected sights, or sounds, or sensations, consequent upon it, annoy him, as they would annoy a passionate man ; and it is necessary to bear in mind that everything sudden produces perplexity in a horse.
5. If therefore you wish to rein in a spirited horse when he is going faster than is necessary, you must not check him suddenly, but pull him in with the bridle gently, coaxing, and not forcing him, to slacken his pace.
6. Long rides in a direct course, too, soothe horses more than frequent short turnings ; and long gentle rides also soften and tame, and do not exasperate, the high-mettled horse.
7. But if any one imagines that if he rides at a hard pace for a long distance, he will render his horse gentle by fatiguing him, he supposes what is quite contrary to experience ; for a highspirited horse, in such circumstances, uses his utmost endeavours to get the better by force and with anger, like an angry man, and often does irreparable mischief both to himself and to his rider.
s. It is proper also to check a high-mettled horse from galloping at full speed, and to abstain altogether from matching him with other horses ; for horses that grow fond of contending against others become also the most refractory.
9. Smooth bits are more eligible for such a horse than rough. If a rough bit be used, we ought to assimilate it tc a smooth one by keeping it slack.1 It is well, too, for the rider to accustom himself to sit quiet on a fiery-spirited horse, and to touch him as little as possible with anything else2 besides those parts of the body with which we necessarily touch him in order to sit secure.
10. A rider should know, also, that it is a rule to moderate a horse's pace with a sort of whistle, and to urge him forward with a clucking sound; yet that if a person should from the first move him to gentle exertions with a clucking sound, and to more difficult efforts with a whistle, he would learn to quicken his pace at the whistle, and to moderate it at the cluck.
U. Likewise, when a shout is raised, or a trumpet sounded, a person should not appear to a horse to be at all disturbed, or approach him with anything that may alarm him, but should, under such circumstances, use his utmost efforts to pacify him, and, if convenient, should bring him his morning or evening feed.
12. It is a very judicious piece of advice, too, not to purchase a very high-mettled horse for service in war. As to a sluggish horse, it appears to me sufficient to observe, that a rider must treat him in a manner quite contrary to that in which we recommend him to treat a horse of high spirit.
* This observation is most just. It is from the manner of managing them alone that bits are easy or severe to the mouth of the horse; other wise, as the Duke of Newcastle says, the bit-makers would be the best horsemen. Berenger.
' We should not touch him, for instance, with the spear or javelin.
Labels:
Peri Hippikes,
war horse ancient Greece,
xenophon
Xenopon on horse ridding - making a warhorse
Xenophon Peri Hippikes - continuing from chapter VI:
CHAPTER VIII.
How a horse is to be taught to leap. How he is to be prepared for military service.
1. Since there will be occasions when the horse will have to run up and down sloping and hilly grounds, and along the sides of hills, when he will have to leap over obstacles., and to spring up and down, the rider must train and exercise both himself and his horse completely in all these maneuvers; for thus they will be likely to contribute more to the safety and advantage of each other. 2. If any one thinks that we are merely repeating ourselves, because we now make mention of the same things that we mentioned before,1 let him understand that this is not a repetition ; for we then exhorted H. horseman, when he purchased a horse, to try whether the animal could perform such exercises ; but now we say that he must teach his own horse, and are going to prescribe how he must teach him.
3. He that has got a horse utterly inexperienced in leaping over ditches must, after slackening the leading-rein, go over the ditch first, and must then pull him on with the rein, that he may take the leap. 4. If he will not leap, another person must take a whip or a switch, and apply it on him smartly, when he will not only leap over the required space, but much further than is necessary; and afterwards there will be no need to strike him, for if he only sees some one coming behind him, he will leap.
5. When he has thus been trained to leap, let the rider mount him, and take him first to small, and then to larger ditches. Just as he is going to leap, let the rider touch him with the spur. Let him spur him, too, when he is teaching him to leap up and down from any height; for if the horse does all these things with an impulse2 of his whole body, he will do them with more safety to himself and his rider than if his hinder parts lag either in leaping over an object or in springing up or down.
6. To make him go down steep places, we must begin to train him on soft ground; and at length, when he is accustomed to this, he will run much more readily down a slope than up it. As to what some people fear, that horses will dislocate their shoulders in being ridden down steep places, let them be under no apprehension, when they are told that the Persians and the Odrysae (Thracians) all ride as fast as they can down steep hills, and yet have horses not less sound than those of the Greeks.
7. Nor will we omit to mention how the rider must accommodate himself to each of these particular circumstances ; for he ought, when his horse suddenly raises himself for a leap, to lean forward (since by that means the horse will feel less pressure on his hinder parts,1 and will be less likely to shake the rider), and, as he pulls in the reins when the horse alights, he must throw himself back, for he will thus be less jolted.
8. As the horse is leaping over a ditch, or stretching up an ascent, it is well for the rider to take hold of the mane that the horse may not be oppressed by the difficulty of the ground and by the bit at the same time ; but in going down a declivity, he should hold himself back, and support the horse with the bridle, that himself and his horse may not be carried headlong down the slope.
9. It is right, also, to exercise the horse sometimes in one place and sometimes in another, sometimes for a longer and sometimes for a shorter period; for this will be less disagreeable to the horse than to be always exercised in the same place and for the same length of time.
10. Since it is necessary, too, for him who rides his horse at full speed over all sorts of ground to be able to sit firmly on him, and to know how to use his arms on horseback dexterously, the practice of horsemanship in hunting is to be commended, where the country is favourable, and wild beasts to be found; but where these conveniences do not offer themselves, it is a good sort of exercise for two horsemen to make such an arrangement as this: that the one is to retreat over ground of a varied character, and, as he flees, is to turn about from time to time and present his spear, while the other is to pursue, carrying javelins blunted with balls, and a spear prepared in the same manner ; and whenever the pursuer comes within a javelin's throw of the pursued, he is to discharge his blunted javelins at him, and, whenever he gets within the stroke of a spear, to strike him as he is overtaken.
11. It is well for a horseman, also, if he close with an enemy, to pull his enemy towards him, and then suddenly push him away ; for this treatment is likely to unhorse him. On the other hand, it is well for him who is thus dragged to urge his horse forward; for by this means he is more likely to throw off his antagonist than to fall off himself.
12. If, on any occasion, when two camps are pitched opposite, the cavalry ride out against one another, and one party pursue their adversaries close up to their main body, and then retreat to their own, it is good for a rider to know that in such circumstances, as long as he is near his friends, it is right and safe to wheel about among the foremost, and charge the enemy at full speed; but he must take care, as he comes close upon them, to have his horse under control; -for, by acting with such caution, he will be in the best condition, as is probable, to injure the enemy and to escape injury from them.
13. The gods have enabled men to teach other men by speech what they ought to do. As for a horse, it is certain that you can teach him nothing by speech; but if, when he does what you wish, you gratify him in some way in return, and, when he is disobedient, make him feel punishment, he will thus effectually learn to obey you in what is required of him. u. This we may express, indeed, in a few words, but it should influence us throughout all our treatment of horses; for a horse will more readily take the bit, if, when he has taken it, something pleasant results to himself ; and he will leap across ditches, and jump over obstacles, and comply with our wishes in all other respects, if he looks forward, when he has done what is required of him, to some indulgence.
' As they wheel round, it will be proper for him to be among the foremost to charge the enemy. It will be proper for him to be in the rear when his party is retreating, and to be consequently foremost when they turn about to make a charge.
Sunday, September 5, 2010
Persian horse bits in my sketches and rhytons from Armenia
Salve,
I have been playing with some pen drawings of the horse bits of the Achaemenid and Sassanian Persia.
First sketch is a rather frivolous interpretation, the historic bit is an actual find from Greece, evidenced in the Alexander mosaic ( mossaic ). In this drawing of a horse bit from the Achaemenid period (a sample of the actual Apadana Persepolis horse bridle I gave on this blog here http://dariocaballeros.blogspot.com/2010/01/annus-novus.html ), the two long cheek pieces end with a calf head, like in the Vouni treasure, Cyprus. achemenet Vouni_Treasure
Second sketch (titled sketch I) is of a Sassanian cub-bit ( shown in this example of Sassanian metal plate https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7v4GX8hMMl3zb_1LG5-wA8VJcfMghbPAzG0QXzJ5FKb9oRxcbfKzjNvzlkBsAbCX_dYFnN4tbT_BO07FTapuheqB8sizhWS0oIkukRXjQsE8YYS_4A1wCLxNznLYijgWNYY-mwUhe4rSP/s1600-h/persian+plate+inter.jpeg ) and two horse heads with a device, that had been used along with a snaffle-bit, in a from of a metal cavesson-like device attached to the headstall, going over the nose and under the chin.
Finally the above amazing Achaemenid rhyton ( wikipedia Rhyton ) from the 'Fortress of Blood' aka Arin Berd (Erebuni Erebuni_Fortress ) in Armenia (Urartu), its picture found at wikimedia Achaemenid_Goblet_Erebuni
shall become my next 'serious' reconstruction attempt, along with another Erebuni rhyton with a horse Achaemenid Goblet02 , and also some terracotta horse-shaped vessels from Achaemenid Village (Susa) dated to the V century BCE/BC.
I have been playing with some pen drawings of the horse bits of the Achaemenid and Sassanian Persia.
First sketch is a rather frivolous interpretation, the historic bit is an actual find from Greece, evidenced in the Alexander mosaic ( mossaic ). In this drawing of a horse bit from the Achaemenid period (a sample of the actual Apadana Persepolis horse bridle I gave on this blog here http://dariocaballeros.blogspot.com/2010/01/annus-novus.html ), the two long cheek pieces end with a calf head, like in the Vouni treasure, Cyprus. achemenet Vouni_Treasure
Second sketch (titled sketch I) is of a Sassanian cub-bit ( shown in this example of Sassanian metal plate https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7v4GX8hMMl3zb_1LG5-wA8VJcfMghbPAzG0QXzJ5FKb9oRxcbfKzjNvzlkBsAbCX_dYFnN4tbT_BO07FTapuheqB8sizhWS0oIkukRXjQsE8YYS_4A1wCLxNznLYijgWNYY-mwUhe4rSP/s1600-h/persian+plate+inter.jpeg ) and two horse heads with a device, that had been used along with a snaffle-bit, in a from of a metal cavesson-like device attached to the headstall, going over the nose and under the chin.
Finally the above amazing Achaemenid rhyton ( wikipedia Rhyton ) from the 'Fortress of Blood' aka Arin Berd (Erebuni Erebuni_Fortress ) in Armenia (Urartu), its picture found at wikimedia Achaemenid_Goblet_Erebuni
shall become my next 'serious' reconstruction attempt, along with another Erebuni rhyton with a horse Achaemenid Goblet02 , and also some terracotta horse-shaped vessels from Achaemenid Village (Susa) dated to the V century BCE/BC.
Friday, September 3, 2010
Achaemenid asabāra - hippeis - horseman
Salve,
a light asabāra (horseman) of Ancient Persia - the Achaemenid Persian Empire, perhaps of the IV century BCE. He wields two 'palta' ( javelins), as Xenophon said one for throwing and one for hand to hand combat, and those in the course of the Alexander of Macedon invasion of 330s BCE were replaced by much longer ones, in the fashion of Macedonian cavalry. He alsohas a longer sword , double tunic, pants and soft leather shoes (calf length).
two Achaemenid coins from the period
rider I
rider II
they clearly show crenelated mane, jagged edges shabraque, tied horse tail, javelin or spear, tied forelock on a horse's forehead (eg from Apadana Relief Vth century BCE .
more armored Achaemenid rider from Çana today's Turkey
Here from livius.org an early rider on a splendid horse Phrygia www.livius.org phrygia duver_rider
Some interesting publications on the Achamenid Empire are at the Univ. of chicago persia site
And this scholarly website is just 'fabuloso' - by great French professor Pierre Briant - www.achemenet.com
Asb or equus caballus /horse in ancient Iran - iranica.com asb-horse-equus-cabullus
An acrylic sketch with GIMP cartoon filter to be more worked on.
Thursday, September 2, 2010
Remembering September 1939
Salve,
September is always a month of sorrow for the Slavic and Jewish people of East-Central Europe, because during that sad month of 1939 Hitler and Stalin invaded Republic of Poland causing mayhem and destruction of unheard proportions, and starting World War II. For the Slavs and our 'Slavic' Jews this time was the time of genocide and Holocaust. Some 35 million Slavs and Slavic Jews were murdered, killed in action and died in course of this atrocious war. My own family suffered tremendous losses, menfolk being killed right and left while women and children were left to fend of for themselves, malnourished and abused by their Nazi German (and later Soviet) occupiers.
Also let us remember of the millions of fine horses that perished during that war, serving their masters. World War II saw the last cavalry warfare on large scale, modern mechanized war made horses obsolete in war.
In our Slavic pre-Christian tradition and religion our trees were sacred (as with the ancient Germanic peoples), especially oaks groves, and I am attaching a drawing of a tree that might have been subject of my ancestors reverence and worship (although I also have Armenian ancestors as well). eg Slavic gods Weles Veles Perun in Russian Stvarog in Russian
Let us remember September 1939 and never forget our fallen people.
ps
I would like to welcome all new followers - hope to keep you interested in the weeks to come :)
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