Showing posts with label Thracians. Show all posts
Showing posts with label Thracians. Show all posts

Friday, July 31, 2026

Beauty from Getty Museum - Homer's Iliad horse-stealing episode

 Salvete Omnes, 



today we have the last day of July 2026, time flies or as ancient Greek philosopher Heraclitus said - panta rhei. 

While another ancient Greek - Homer - and his compositions - the Iliad and the Odyssey - have been with our culture for close to 3,000 years, inspiring countless writers, painters, sculptors and film makers - eg the latest Nolan's film.



So our horse-related image comes from the Iliad milieu, but from the  early Archaic period of the ancient Greek history & art,  as it shows Odysseus and Diomedes' infiltration the Thracian camp, the Trojan allies, at Troy in order to steal their famous horses ("huge of size, a wonder to behold'' or -  ''His[Rheos] be verily the fairest horses that ever I saw, and the greatest, whiter than snow, and in speed like the winds.'). Odysseus slays (of honey-sweet life) Rhesos/Rhesus, a Thracian king, and 12 other sleepingThracian warriors. - Book X of Iliad,

Murray's translation


Here you can read the description from Getty Collections webpage - where the amphora's photos are available for study. The authorship has been attributed to Inscription Painters (Chalcidician style) from Rhegion, Southern Italy (then so called Magna Graecia due to the Greek colonization and settlement) 

the amazingly well portrayed white stallion 

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the act of killing of king Rhesos you can also study from the Wiki Commons page, where horse side of the amphora does not appear. Note that Odysseus is carrying a bow and arrows in a quiver slung on his back.

Valete

Thursday, May 11, 2023

Thracian Bit - another example from the MET

 Salvete Omnes,

MET is  greatly 'stuffed' with art and artefacts. 

In the past I presented various surviving ancient bit from the MET and other museum collections.

Well, a couple days ago i had a chance to look at some Thracian bit reconstruction in combination with a headstall done by a Romanian author and artist Radu Oltean - here Radu's books are listed - goodreads .


So following me studying his reconstructions in his book on the Getae and Dacians, I looked up various Thracian bits in the MET collection.
Therefore today I would like to bring to your attention another MET example of these early ancient curb-bits (I wrote about two - here and  here):

this bit - dated to II-I centuries BC, is made out of bronze somewhere in the Balkans.

height - 15,2 cm

width (of the mouthpiece? )- 14cm

weight - 462,1 g

The mouthpiece looks more or less like  a jointed-snaffle one, but instead of rings where reins would be attached etc there are two longish shanks attached to the mouthpiece by another small ring, and instead of a curb-chain there is a horizontal 'curb-bar,' with three available positions for the bar.  Above the mouthpiece there is a large  'lyre-shaped' cheekpiece  on each side of the mouthpiece, although not part of a shank, but once attached to the headstall it could have acted in unison with the shank.
I think the bit is beautiful, the workmanship of the smith who made it quite exquisite and precise, and somewhat flowing.
The bronze used to make the mouthpiece in the horses mouth could have tasted sweet to the horse and thus caused the horse's mouth to stay 'wet' and 'pliable.'



A great example of the beauty of ancient horsemanship and blacksmith art I daresay.

ps
you can also peruse this article about the ancient curb-bits, I made it available in 2017.

Valete

Thursday, November 22, 2018

Thracian bit - some ideas about attachment

Salvete omnes,
great MET has in their collection this bronze bit -
''The mouthpiece consists of two canons studded with rounded spikes, linked by a ring in the center. Each one terminates with a ring for the reins and a long and straight full-cheek piece, pierced with two holes for hanging it from the bridle.''

I have drawn over the MET photo of this artifact and propose the following arrangement of this bit  attachment  to the headstall -
Hermitage has many images of the surviving bridles -headstalls and bits - from the Central Asia (Ukok Plateau etc) barrows.
 My prior post about Dodona bit also includes the Athens museum proposed reconstruction of the bit and the bridle.



Valete

Wednesday, October 25, 2017

Scythian saddle - articles


Salve,
long time ago I put some information and drawings regarding the Scythian pad saddle.

Recently I have been studying articles by Elena V. Stepanova, one fine Russian scholar from Sankt-Peterburg (Saint Petersburg) Russia, where she is the Hermitage Museum curator and scholar.
The articles deal with the saddles that have survived in Pazyryk, Ukok Plateau of Altai Russia, kurhans (kurgans), and other archaeological sites in Central Asia with references to other sites of Eurasian steppe. One article deals with the reconstruction and usage of such pad saddle from the Altai's Pazyryk kurgans discovered long time ago by the Soviet archaeologists led by Rudenko - English translation calls it a soft saddle, but I think this is the wrong terminology... :)

 The articles are very, very interesting and informative,and practical too. For me it means I have got to rethink and redo some of my drawings and comments on the said Scythian saddles,
so you can download the English translation from the Silk Road Foundation , volume 14. - on the reconstruction of one of the  Pazyryk (Barrow nr. 3) saddles, preserved at the Hermitage, and some interesting observations on the Bosporan saddles as visible on that kingdom funerary artwork.

Qin/Chin Shi Huang Di terracotta army of China - cavalry mount wearing a very Scythian saddle, late 3rd c. BC

or you could read the articles from Ms Stepanova's page on Academia, or you could register there and then download these articles one by one.

Getae Thracians - warriors  riding using saddles similar to the Scythian ones in this Letnitsa, Bulgaria find from IVc BC - note that the Thracian horsemen were allies of the Philip IV of Macedon and Alexander III of Macedon and took part in the conquest of Achaemenid Empire
enjoy

Thursday, June 8, 2017

Ancient curb bit from MET

Salvete omnes,
let us canter to the ancient, classical  Balkans for the fabulous MET has a very interesting early curb-bit. They claim is it  from the I c BC / I c AD . It is not on display in the exhibition halls but the museum displays it on their website.

The bit is of mixed metal, copper alloy and iron alloy, we could infer that this was a sweet [to the horse] bit? It weights 680.4 g
The shanks are 16.2cm(6 3/8inch)  long, while the mouthpiece is 11.1 cm (4 3/8 in.) wide, however as we can see the bit has a port, quite substantial.
The shanks are  curved forward and had a heavy bar. There is no shank above the mouthpiece. There appears to have been rollers? on the cannons on both sides of the port, but only one remains.

The bit looks similar to the bits found in ancient Iran (eg Susa), but they are dated much later, to the Sassanid era (III c AD-VII c AD)

The image is in public domain, comes from MET website.

Monday, November 12, 2012

Polish horses covered with animal skins - della Bella's prints



Salve,
today we will travel to Rome AD 1633 and see some horses as seen and drawn by XVII century Italian artist Stefano della Bella.
Our king Wladysław IV sent his friend Jerzy Ossoliński as his ambassador to the court of His Holy See Urban VIII in Rome.
Our royal ambassador made an entry into Rome that became famed for the fine horses (some with actual gold horseshoes), splendidly mounted and attired riders and general wealth and opulence displayed by Ossoliñski's retinue.
But the subject of my entry today is the use of wild animal skins for saddle cloths/shabraques used on some horses of the Ossoliński's court.


   The usage of large animal pelts is nothing new in the Eurasian horsemanship (eg discussion of Greek and Macedonian usage of lion, panther etc skins is discussed in the book by J.K. Anderson titled Ancient Greek Horsemanship) - the most famous is Alexander the Great's shabraque in the Mosaic. The image above shows a Hellenistic Period stallion covered with a panther skin, smartly secured on the horse.
Russian scholar A.V. Simonenko in his book "Sarmatskie vsadniki Severnogo Prichernomorya" ( Sarmatian horsemen of the Northern Black Sea)  reconstructed some of his riders with panther skin as a saddle cloth.

 Thracians who fought the Greeks, Macedonians, Skithians, Romans and whoever moved onto their lands also used the leopard skins for their saddle clothes as evidenced by their tomb art:
The Thracians disappeared within the sea of their Slav, Iranian and Turkic invaders after these peoples had settled in the Balkans however some of their customs perhaps did not, perhaps adopted and practised due to their martial character and extravagance.

   The riders of Polish-Lithuanian Commonwealth, and their neighbours to the south, the ones from the former Kingdom of Hungary and their conquerors from Ottoman Turkey liked tu use these lion, leopard or even bear skins as coverings for their horses, underneath the saddles or as a horse cape, covering already saddled horse (as in the example on top of this post).

The Balkan riders and their horses covered in lion skin are epitomised in this image:


And one with a bear skin here:


So let us see the della Bella's prints - commentary written on each images:
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there will be more about this entry into Rome in the future, or so I hope

Tuesday, July 26, 2011

Ancient Macedonians - sketches


Salve,
I would like to share with you two sketches related to the Macedonian history and horse culture of IV century B.C.


The very symbol of that culture is Alexander the Great,  the conqueror of Greece, Achaemenid Persian Empire (a film link), Illyrians and Thracians.
 Here you can read the story of Alexander written by Plutarch, one of the four most important ancient  writers writing on young basileos* (king) life, Q. Curtius Rufus and L. Flavius Arrianus and Diodorus Siculus
 Alexander was one 'hell of a rider' and a warrior without equals during his lifetime or ever, and he is often portrayed on horseback, the most famous is  this one, from Alexander Mosaic:

His most famous horse, Bucephalus, (for he had many more) is subject of many legends and stories , including a very nice book for children written by a Polish historian professor Anna Swiderkówna titled ''Koń, który trafił do historii'' (''Horse that landed in history books'').


* The second image has been inspired by a photo and description of an ancient stele showing a Macedonian horseman I saw in an article written by professor Nicolas Sekunda on the Ptolemaic guardsmen - Dress of the Ptolemaic Guard Cavalry. By the way,  I have  many books by professor Sekunda and they will come 'handy here,' as well as a book by professor Marek Olbrycht on Alexander and Iranian world, and I shall make use of them when talking and drawing more Macedonians, Greeks, and Iranians.

Monday, September 27, 2010

Xenopon on horse ridding - making a warhorse



Xenophon Peri Hippikes - continuing from chapter VI:


CHAPTER VIII.

How a horse is to be taught to leap. How he is to be prepared for military service.

1. Since there will be occasions when the horse will have to run up and down sloping and hilly grounds, and along the sides of hills, when he will have to leap over obstacles., and to spring up and down, the rider must train and exercise both himself and his horse completely in all these maneuvers; for thus they will be likely to contribute more to the safety and advantage of each other. 2. If any one thinks that we are merely repeating ourselves, because we now make mention of the same things that we mentioned before,1 let him understand that this is not a repetition ; for we then exhorted H. horseman, when he purchased a horse, to try whether the animal could perform such exercises ; but now we say that he must teach his own horse, and are going to prescribe how he must teach him.

3. He that has got a horse utterly inexperienced in leaping over ditches must, after slackening the leading-rein, go over the ditch first, and must then pull him on with the rein, that he may take the leap. 4. If he will not leap, another person must take a whip or a switch, and apply it on him smartly, when he will not only leap over the required space, but much further than is necessary; and afterwards there will be no need to strike him, for if he only sees some one coming behind him, he will leap.

5. When he has thus been trained to leap, let the rider mount him, and take him first to small, and then to larger ditches. Just as he is going to leap, let the rider touch him with the spur. Let him spur him, too, when he is teaching him to leap up and down from any height; for if the horse does all these things with an impulse2 of his whole body, he will do them with more safety to himself and his rider than if his hinder parts lag either in leaping over an object or in springing up or down.

6. To make him go down steep places, we must begin to train him on soft ground; and at length, when he is accustomed to this, he will run much more readily down a slope than up it. As to what some people fear, that horses will dislocate their shoulders in being ridden down steep places, let them be under no apprehension, when they are told that the Persians and the Odrysae (Thracians) all ride as fast as they can down steep hills, and yet have horses not less sound than those of the Greeks.

7. Nor will we omit to mention how the rider must accommodate himself to each of these particular circumstances ; for he ought, when his horse suddenly raises himself for a leap, to lean forward (since by that means the horse will feel less pressure on his hinder parts,1 and will be less likely to shake the rider), and, as he pulls in the reins when the horse alights, he must throw himself back, for he will thus be less jolted.

8. As the horse is leaping over a ditch, or stretching up an ascent, it is well for the rider to take hold of the mane that the horse may not be oppressed by the difficulty of the ground and by the bit at the same time ; but in going down a declivity, he should hold himself back, and support the horse with the bridle, that himself and his horse may not be carried headlong down the slope.

9. It is right, also, to exercise the horse sometimes in one place and sometimes in another, sometimes for a longer and sometimes for a shorter period; for this will be less disagreeable to the horse than to be always exercised in the same place and for the same length of time.

10. Since it is necessary, too, for him who rides his horse at full speed over all sorts of ground to be able to sit firmly on him, and to know how to use his arms on horseback dexterously, the practice of horsemanship in hunting is to be commended, where the country is favourable, and wild beasts to be found; but where these conveniences do not offer themselves, it is a good sort of exercise for two horsemen to make such an arrangement as this: that the one is to retreat over ground of a varied character, and, as he flees, is to turn about from time to time and present his spear, while the other is to pursue, carrying javelins blunted with balls, and a spear prepared in the same manner ; and whenever the pursuer comes within a javelin's throw of the pursued, he is to discharge his blunted javelins at him, and, whenever he gets within the stroke of a spear, to strike him as he is overtaken.

11. It is well for a horseman, also, if he close with an enemy, to pull his enemy towards him, and then suddenly push him away ; for this treatment is likely to unhorse him. On the other hand, it is well for him who is thus dragged to urge his horse forward; for by this means he is more likely to throw off his antagonist than to fall off himself.

12. If, on any occasion, when two camps are pitched opposite, the cavalry ride out against one another, and one party pursue their adversaries close up to their main body, and then retreat to their own, it is good for a rider to know that in such circumstances, as long as he is near his friends, it is right and safe to wheel about among the foremost, and charge the enemy at full speed; but he must take care, as he comes close upon them, to have his horse under control; -for, by acting with such caution, he will be in the best condition, as is probable, to injure the enemy and to escape injury from them.

13. The gods have enabled men to teach other men by speech what they ought to do. As for a horse, it is certain that you can teach him nothing by speech; but if, when he does what you wish, you gratify him in some way in return, and, when he is disobedient, make him feel punishment, he will thus effectually learn to obey you in what is required of him. u. This we may express, indeed, in a few words, but it should influence us throughout all our treatment of horses; for a horse will more readily take the bit, if, when he has taken it, something pleasant results to himself ; and he will leap across ditches, and jump over obstacles, and comply with our wishes in all other respects, if he looks forward, when he has done what is required of him, to some indulgence.

' As they wheel round, it will be proper for him to be among the foremost to charge the enemy. It will be proper for him to be in the rear when his party is retreating, and to be consequently foremost when they turn about to make a charge.