Salve,
Renaissance art is full of horses, and while looking for some examples of Alphonse de Nueville art ( Alphonse-Marie-Adolphe_de_Neuville great French military and equine painter of XIX century) I found two nice Renaissance drawings from France. I find them quite intriguing as they show rather large horses, most likely stallions or geldings, in harness outfits that resemble Medieval, Renaissance and Baroque carousels (equine festivals with equine games and displays of courtly ridding).
Ad rem, the French net library/depository 'Joconde' offers us these two fine ink wash drawings from the 3rd quarter of XVI century by the workshop of Niccolo dell'Abbate dell'Abbate , Italian artist who worked in XVI century France and was one of the masters of the Fontainebleau School.
In the first drawing we can see a page holding a saddled parade horse, dressed for occasion. It seems to me that our messer Niccolo or his pupil was showing a proposed design for a horse parade outfit, most likely intended for his royal masters, the House de Valois as horse furniture/harness in this painting showing Francis I and H.R. Emperor Charles V Franz_I_und_Karl_V or in this famous full armor portrait of Francis I, nota bene we need to examine it in the future as opposed to the Titian's Charles V portrait , commons FrancoisI I France.jpg Tizian Charles V . Besides the flamboyant harness we can observe a very nicely decorated war saddle, long stirrup leathers, long curb-bit (long shanks), two cinches/girths.
Drawing below shows a page riding another caparisoned horse. Here we got this beautifully drawn example of a gaited horse, ridden by a page with one hand in a really long-shanked curb-bit. Please note that the saddle is different from the one above, it is not a war saddle per se, as it seems to lack the extended thigh protectors characteristic to XV-XVI century war saddles, or perhaps it represents the new type of Western European saddle. Again we see two cinches/girths and long stirrup leathers. The style of ridding, long stirrups etc, seems to be what the Spanish and Portugese called ' la brida.'
This bridle, like the one above, has a not throatlatch per se, but there is a second 'headstall' attached to the proper headstall acting both a throatlatch and a suspender for a small tassel, done in the ancient Turkish/Islamic/Mongol fashion.
Here you can see an example of the master Niccolo painted horses, a but different from these two drawings - Niccolo dell'Abbate_002.jpg
2 comments:
Many thanks for sharing those images Dario. I think I saw a similar saddle whilst browsing this forum:
http://tribes.tribe.net/horsecav/thread/bcdd7f74-366a-4b5a-836c-034bea8e94d3
The picture -
http://www.renaissancewarfare.com/cgi-bin/i/images/Armeria-A150-01.jpg
shows the war-saddle of emperor charles V (located in armeria madrid).. It does seem to feature a somewhat similar pommel/cantle configuration with the drawings you posted - in addition to those bulky thigh protectors.. The photo also reveals a little bit of the internal construction as well..
Pozdravujem,
Samuel
thank you Samuel'u :)
I've got this book - depicting royal Renaissance artifacts from Spain - where some royal saddles are shown, but sadly no construction is depicted.
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