Wednesday, September 18, 2013

Circassian horseman

Salve,
while reading a book on cavalry by a famous British cavalryman Louis E. Nolan, I came across this interesting passage on the Circassian horsemen, so let me share it with you:


   General Sir Charles Shaw gave the following most interesting account of the Circassian horsemen
 in a letter published in November, 1853, in the “Morning Chronicle.” -The noble Circassians who have been fighting against Russia, independent of Turkey, have been 
withinthis short time taken into the Turkish service; and it may be interesting to give a description,
by a Prussian officer, of the Circassian cavalry, who are about to take a prominent part in
 the coming conflict. 
He [Prussian] says: 
    The Circassian wears a pointed steel helmet, with a long horsetail pendent from it; a net of 
steel-work hangs down from the lower part of the helmet, protects the front and nape of the neck, 
and is looped together under the chin, underneath a short red vest, cut in the Polish fashion.” [sic!] 
 
   "He is clad in a species of coat-of-mail, consisting of small bright rings of steel intervened; his arms,
from the wrist to the elbow, and his legs, from the foot of the shinbone to the knee, are guarded by thin 
plates of steel; he also wears close pantaloons and laced boots. Two long Turkish pistols, as well as a 
poniard, are stuck into his girdle. He has a leather strap with a noose, like a Mexican lasso, hanging at
his side, which he throws with great dexterity over the head of his enemy; a Turkish sabre and a long 
Turkish musket are slung behind his back, and two cartridge-holders across his breast." 
 
   “The skill with which the Circassians use their weapons is really beyond belief. I have seen them 
repeatedly fire at a piece of card lying on the ground, at full speed, without ever missing.” 
 
   “They will pick up a piece of money from the ground while executing a charge, by bending
 themselves round below the horse's belly, and, after seizing the piece, suddenly throw themselves 
back into the saddle.They form the choicest body of cavalry in the Turkish service, and I have
watched them, when charging,attack their opponents with a sabre in each hand, managing their 
reins with their mouths ; they will spring out of their saddles, take aim and fire from behind 
their horses, then jump into their saddles again, wheel round, and reload their guns as they
retreat in full career. They are perfect madmen in the attack, and few troops would withstand
the utter recklessness of danger they evince.”  
 
 
 “This account of the Circassian cavalry by the Prussian officer may appear incredible to our Life
 Guards, Blues, and Heavies...”



 Above art  by Polish painter Aleksander Orłowski  and a student of Józef Brandt, Franz Roubaud.

Some more images from XIX century:













Tuesday, September 17, 2013

Dr Cothran's Pryor Mountain Wild Horse Herd genetics report

Salve
renowned scientist dr E. Gus Cothran issued a report on the genetics of the Pryor Mountain Wild Horse Herd -  reported The Could Foundation.

Please note that this is the most famous mustang/wild horse herd in the US. Documentary films have been made out these walking relics of Spanish horse breeding in the Americas, especially following the life of one stallion named Cloud -  ''Cloud: Wild Stallion of the Rockies'' ( 1995 ) and  ''Cloud's Legacy: The Wild Stallion Returns'' (2003).
 The Cloud Foundation has a nice video library and photo gallery devoted to these horses.
Well, the report has plenty of important and alarming data summarised by dr Cothran:
Genetic variability  of this herd in general is on the high side but compared to past sampling of this herd, variability levels for all measures has been in decline. This is likely due to the population size that has been maintained in recent years. Overall, the herd is showing evidence of Spanish heritage that is stronger than seen recently, although the known mixed ancestry is still apparent. This is possibly due to the efforts to remove horses derived from introductions.

 Dr Cothran onclusions: 
''Current variability levels are high enough that no immediate action is needed . However, there has been a general trend for a decline in variations levels of the herds. If the trend continues the variability levels of the herd could drop below the feral average within the next five to ten years.''
 
“The best way to maintain the current levels (of genetic variability) would be to increase population size if range conditions allow.







The report is here
Government's page 
Ps
Wikipedia has a page on the subject and hence some photos from Wikipedia.

Saturday, September 14, 2013

Steppe rider

Salve
in March I showed this drawing here, and toady I sketched a little quick one, in a sort of continuation of the theme of Polovtzi.
I have this idea to draw a few of more of these guys -  Polovetz (Cuman) warriors.


A few good readings to have:

From Attila to Charlemagne - an art book from the MET

M. Kazanski, Barbarian Military Equipment and its Evolution in the Late Roman and Great Migration Periods («3rd-5th C.A.D.). In : Sarantis A., Christie N. (eds.),

D. Glad, The Empire’s influence on the barbarian elites from the Pontic region to the Rhine (5th-7th centuries) : a case study of segmental helmets and lamellar weapons.  &  A contribution to the study of lamellar armors (..)

I. Bugarski, А New Find of a Byzantine Stirrup from Rujkovac

P. A. Nowakowski (et al), Banderia Apud Grunwald

and a review (Polish language) of David Nicolle and Sarnecki, Medieval Polish Armies 966-1500 (Osprey) by dr Nowakowski

Wednesday, September 11, 2013

A miniature Sassanian soldier figurine

Salve,
 Nadeem Ahmad, friend of mine, student of medicine and history,  and a fine reenactor from UK, specialising in the ancient Persia (Achaemenid, Sassanian etc)
.

.

.

.

 graciously brought to my attention this image:

It comes from a website of Aventine Minitures,excellent miniature soldiers & horses,    and it shows the scene of  Sassanian king Shapur I and warriors with the Roman Emperor Philip Arab kneeling in submission ( source - Naqsh-e Rustam Sassanian rock relief and artwork supplied by the immortal Angus McBride's illustration painted  for dr David Nicolle's The Sassanian Army). It is nicely explained on the Aventine Miniatures page devoted to this composition, and here the actual Shapur's inscription from Naqsh-e Rustam.
A larger, historical  drawing from my previous post - relief at Bishapur

The foreground  figure  is based on my illustration for Patryk Skupniewicz's article in the Ancient Warfare magazine done some years ago:

Nota bene I enjoy novels written  by the British historian Harry Sidebottom -series Warrior of Rome - dealing with this period of Roman-Persian relations. I am currently reading the last one - Wolves of the North.
Ps
A post from David Palumbo's blog on shooting (photographing) artwork . David comes from an illustrious art family - Boris Vallejo and Julie Bell

Monday, September 9, 2013

Ancient Greek cavalryman

Salve,
 last week while at a neighbourhood bookstore I read some of the articles in the Ancient Warfare magazine - you can always find some great article or two, or three there (or more, it is quite a dedicated publication - although Desperta Ferro from Spain is my favourite).

I was reading one of the articles by this quite interesting author, Annelies Koolen from Holland, titled 'Athenian cavalry in Sicily - An underestimation of the enemy’s cavalry'.
In that article there was an illustration of a Beotian sculpture (from Thespiae) or relief showing a cavalryman/rider on horseback from Athens' Archaeological Museum, all was quite fine except rider's head was missing.

I sketched a drawing based on that sculpture, and added a bit and reins, but not the bridle...

There was another article there on the Alexander's victory at Grannicus river, and perhaps I will write about this article in the future.

Also, a quick sketch based on a pot of one of the gretest ancient cavalry reenactors John Conyard from British reenactment group Comitatus, an association of ladies and gents who are fabulous in their zeal to reconstruct ancient warriors, their equipment and spirit. By the way many illustrations showing ancient cavalry etc are based on Comitatus  photos.
I salute these passionate people - Ave,  Comitatus!
 These sketches were done with Pentel's Hybrid Technica pens, while colors were added with GIMP (Ubuntu 12.04 for Painters OS )

Sunday, September 8, 2013

Project White Eagle

Salve,
some time ago in June I mentioned this anniversary - 718 years since white eagle (aquila)  was officially adopted as Poland's national emblem.
Eagle has been the symbol of  states and tribes and clans since time immemorial, Greeks, Romans, and Scythians, just  to name the few. In ancient Greece and  republican Rome  eagle was the companion of Zeus and Jupiter, carrying their thunderbolts, one of the symbols of the Roman Republic. With these divine thunderbolts in his claws eagle also became  the symbol of Imperial Rome, and the symbol of Rome's legions. Imperial Byzantium had a two-headed eagle as its symbol (according to Konopczyński it derives its symbolic two heads from Roman god Janus), while Charlemagne had his palace in Aachen adorned with a large image of the royal raptor. It would eventually  became the symbol the the Holy Roman Empire. (in 1410)
During the high Middle Ages the lands of central and south central  Europe, from Modena, Karniola, and Serbia in the south , through Tyrol, Bohemia, Moravia, Holly Roman Empire and lands of Polish principalities eagle would become the principal image in their coats of arms., while in the north and west image of the lion would dominate.
In Polish history - the Piast state - the first image of an eagle come from a denarius minted by our first king Bolesław  the Brave, while the first mention to the eagle may come from Gallus Anonimus, the author of his 'Gesta principum Polonorum,' who  wrote in the early XII century that Polish troops carried victorious signs.  Wincety Kadłubek, another chronicler and author of the first use of a 'res publica' term for  Poland, wrote that in 1182 our duke Kazimierz II's troops carried ''the signs of a victorious eagle, symbol of royal majesty,'' in the battle against the Kievan Rus troops at the battle of Brest in 1182., so during the Period of Fragmentation various Piast dukes and princes adopted eagle as their heraldic symbol,  first in Silesia, then in Lesser Poland and Greater Poland, later in Kujawy and Mazowsze.
First it was duke of Wrocław Henryk IV Probus who already possessing  the heraldic symbol of black Silesian eagle,, added white eagle, but without a crown, as his second heraldic symbol  in 1290, when he took the throne of Krakow and Lesser Poland.  A month later he had the same eagle, but with a crown on its head, on his seal.
Upon Henryk IV's death, his successor,duke of Greater Poland and Gdańsk Pomerania , Przemysł II took, as per his agreement with Henryk IV,  the throne of Kraków and with it the heraldic symbol of the royal seat - White Eagle. It has been determined that the eagle was white, with a gold ribbon across his wings and chest in the fashion of the Silesian eagle, and its heraldic shield/field  was red/crimson.

I started this project - drawing king Przemysl II in his most royal appearance, most likely mounted, on a fully caparisoned horse.

sketches:

 .

sources
.. from National Archives at Kraków :
Duke Henryk IV Probus - with Silesian eagle on his shield - a drawing from his tomb

.. Henryk IV  Probus from his sepulchre - coats of arms on Poland and Silesia

..  Henryk IV Probus  as shown in the mauscript Mannese Codex - great source for the period costume, weapons, heraldry and horse tack - here the caparisoned horse

.. another Silesian Piast prince Henryk V of Legnica


..Bolko I of Świdnica-Zębice - particularly splendid effigy of this Piast prince

..
King Przemysł II as drawn by Jan Matejko
.. king Przemysł II's royal seal - Premisl II Dei Gratia Regis Poloniae Domini Pomeraniae

.. Szczerbiec

.. the inscription on this Przemysław's seal says: Redidit ipse potens vitricia signa Polonis (God Almighty returned Polish victorious signs, ie, the eagle)

..

to be continued
* into to Polish heraldry on Wikipedia 

Ps
also, Sept 8  is an anniversary of the Orsza victory(Orsha battle) fought between the Lithuanian-Polish forces under knez Ostrogski (Kanstancin Astrožski ) and the Grand Duchy of Muscovy army under Chelyadnin and Knez Bulgakov-Golica in 1514.  The battle is famously depicted in the Orsza painting (National Museum in Warszawa), one of the most important iconographic sources to the period; please note that early Polish hussars (based on the Serbian and generally speaking Balkan mercenaries) are depicted in the painting.
A song celebrating this victory in Belarusian - (and lyrics)
another song (in Belarusian)

Saturday, September 7, 2013

September 1939 & Wola'44



Salve amigos et amigas,

first post in this nice month of September. Yes, it is the end of summer and beginning of autumn, fine time for horse riding or just horse watching :).

 Just wanted to remind you that on  September 1, 1939 Republic of Poland was attacked  by Nazi Germany (aided by Slovakia) and Soviet Union (17th of September), beginning World War II. The ensuing war caused unprecedented slaughter of Polish elites, Polish Jewry, the destruction, pilage and robbery of Polish museums, art, archives, human resources and natural resources. While our allies stood idle. My grandpa Wincenty fought in the Polish army as a soldier during this war.

* Lengyel, magyar — két jó barát, együtt harcol s issza borát. / Pole and Hungarian — two good friends,joint fight and drinking are their ends
In the summer of 1939 when Nazi Germany demanded that Hungary open its borders to German troops and allow them to cross over to invade Poland, Hungary's Prime Minister Pal Teleky, he answered: 'I rather blow up our rail lines than [Hungary] take part in the invasion of Poland.' (confirmed by Regent Horthy who told the German ambassador that "he [Teleky] would sooner blow up the rail lines than to participate in an attack on Poland.)


Today's also happens to be the anniversary of the modern Thermopylae, not Greek but a Polish one, for about 720 Polish soldiers under cpt Raginis  entrenched near Wizna defended their position against the invading  42,000 strong German corps under gen. Guderian for almost 4 days (7-10 Sept.)  And Swedish band Sabaton wrote a song about this heroic event .

Nota bene Soviets and Germans destroyed Polish horse breeding (my great grandpa had bred horses for the Polish army prior to 1939, and his horses were confiscated in 1941 for the Hitler's adventure on the Plains of Russia). The invaders  killed the horses and breeders,  destroyed the private and state horse breeding, dispersed the studs, took horses as pillage and spoils (famous Soviet stud at Tersk was augmented with fine horses  with this rapine, eg  famous  stallion Ofir, his daugher mare Mammona)  one of the affected was the famous stud at Janów Podlaski.

Accidentally, American Arabian horse breeders benefited from this rapine - gen. Patton got some prime Polish Arabians (theft really): of Kuheilan Haifi line stallion Witeź II (Ofir & Federacja ), stallion Opal and his son stalion Lotnik, and several mares (I do not know their names)  were taken to US, where they were bred with great success.

According to the census taken in 1938 Poland had almost 4,000 000 horses, (perhaps 100-200,000 more in 1939) and in 1945 only 1, 394 900. (after Witold Pruski, ''Dwa wieki polskiej hodowli koni arabskich 1778-1978 i jej sukcesy na swiecie,'' Warszawa 1983 )

Wola'44
During the massacre of civilian population of Warsaw's district of Wola during the Warsaw Uprising '44, also a traditional home of thousands of draft horse, during the slaughter and  banishment of Wola inhabitants the German troops and the Police killed and starved to death thousands of these working horses and took some as the spoils, while some were eaten by the soldiers and civilians of the Warsaw Rising'44.



Horrors of war... from the Museum of Warsaw Rising '44

Horses of Wola '1944








It was still a horse war in 1939










...
sources - archival films and photos from Wikipedia and Youtube

*
By the way, I have to comment on this sudden outburst of Germany pursuing the last surviving Nazi SS-men, Nazi soldiers and their ilk (eg here), bah, only 68 years after the war!
So, let me demonstrate this drive for high moral ground by pointing to this example of  great  Justice where the  92 years old accused allegedly killed 1 [sic!] (one) Dutch resistance fighter,  but when Dutch courts sentenced this man to death (later commuted to a life in prison) in 1949  Germany refused to extradite him - :) .

  Let's contrast the latest case of zealous pursuit of justice by the present German authorities with the case of the very  man who commanded the Wola Massacre - 60,000 killed, countless girls and women raped, so  Gruppenfüher Heinz  Reinefarth who was  awarded  the Oak Leaves to his Knight's Cross of the Iron Cross for his actions during Warsaw Rising'44 on September 30, 1944 ,  lived out his life peacefully  in then-West Germany, first being the mayor of a town, then a state parliamentarian,  finally a lawyer who retired with a grand pension and lived out his years in his manor, unburdened by  the genocide and crimes against humanity he committed.
Repeatedly democratic Republic of Germany refused to extradite this man to Poland, citing mostly lack of evidence (first request for extradition was refused by the Americans). Thousands of these German Nazi butchers lived their lives comfortably in democratic Germany, German justice ministry saw no problem with theses war criminals, perpetrators of Holocaust and genocide, rape, pillage and theft. But then post-war Germany was built by the pardoned and reformed (with light prison sentences) Nazi officials and soldiers. Polish writer and journalist Krzysztof Kąkolewski interviewed many of these criminals, including Reinefarth,  in West Germany in 1970s, and published a book titled 'How are you, sir?'.  There is also this East Germany TV film-interview with Reinefarth, made in 1957, titled  'Holidays on Sylt.'
Travesty of justice.