Sunday, September 22, 2013

Col. Dodge - the American Bronco

Salve,
American historian, traveller and military man, Col. Theodore Ayrault Dodge wrote many interesting books  - the list from modern equivalent of  Alexandrine library collection - archive.org; and from his book 'Riders of Many Lands' comes a description of a bronco or horse of the US plains before coming of the Quarter Horse et al.
Well, let us read:

BRONCO:

''There is no horse superior to the bronco for endurance; 
few are his equals. His only competitor in the equine 
race is his lowly cousin, the ass, of whom I shall say much 
anon. The bronco came by his toughness and grit natu- 
rally enough; he got them from the Spanish stock of 
Moorish descent*, the individuals of which breed, aban- 
doned in American wilds in the sixteenth century by the 
early searchers for gold and for the Fountain of Youth, 
were his immediate ancestors; and his hardy life has, by 
survival of the fittest, increased this endurance tenfold. 
He is not handsome. 
 
 
His middle-piece is distended by grass food; it is so loosely 
joined to his quarters that one can scarcely understand where
he gets his weight-carrying capacity, and his hip is very short. 
He has a hammer-head, partly due to the pronounced ewe-neck
which all plains or steppes horses seem to acquire by 
their nomad life. He has a bit too much daylight under him, which 
shows his good blood as well as the fact that he has had 
generations of sharp and prolonged running to do. His 
legs are naturally perfect, rather light in muscle and slen- 
der in bone, but the bone is dense, the muscle of strong 
quality, and the sinews firm. Still, in an Indian's hands 
his legs finally give way at the knees from sharp stopping 
with a gag-bit, and curbs will start on his houghs [hocks], for a 
redskin will turn on a ten-cent piece. 
The pony is naturally quick, but his master wants him to be quicker. His hunting and all his sports require work which 
outdoes polo. One form of racing is to place two long 
parallel strips of buffalo-hide on the ground at an interval 
of but a few feet,and, starting from a distance, to ride up
to these strips, ross the first, turn between the two, and 
gallop back to the starting-point. A fraction of a second 
lost on a turn loses the race.
Until one thinks of what it means, a twentieth part
of a second is no great loss. But take two horses of equal speed
in a hurdle race with twenty obstacles. One pauses at each 
hurdle just one-twentieth of a second; the other flies his
hurdles with-out a pause. This lost second means that he 
will be forty- five feet behind at the winning-post — four 
good lengths. Another Indian sport is to ride up to a log 
hung horizon- tally and just high enough to allow the pony 
but not the rider to get under, touch it, and return. 
If the pony is stopped too soon, the Indian loses time 
in touching the log; if too late, he gets scraped off. 
The sudden jerking of the pony on its haunches is sure 
eventually both to start curbs or spavin, and to break his 
knees. Still the pony retains wonderfully good legs considering. 
The toughness and strength of the plains pony can scarcely be exaggerated. He will live through a winter that will kill the hardiest cattle. He worries through the long months when the snow has covered up the bunch- grass on a diet of cotton-wood boughs, which the Indian cuts down for him; and though he emerges from this ordeal a pretty sorry specimen of a horse, it takes but a few weeks in the spring for him to get himself into splendid condition and fit for the trials of the war-path. His fast has done him good, as some say sea-sickness will do him good who goes down to the sea in ships. He can go unheard-of distances. 
Colonel Dodge records an instance coming under his
observation where a pony carried the mail three hundred
miles in three consecutive nights, and back over the 
same road the next week, and kept this up for six months
without loss of condition. He can carry any weight.
 
Mr. Parkman speaks of a chief known as Le Cochon,
on account of his three hundred pounds avoir- dupois,
who, nevertheless, rode his ponies as bravely as a 
man of half the bulk. He as often carries two people as 
one. There is simply no end to this wonderful product of 
the prairies. He works many years. So long as he will 
fat up in the spring, his age is immaterial to the Indian. 
 
 It has been claimed by some that the American climate 
is, par excellence, adapted to the horse. California and 
Kentucky vie for superiority, and both produce such wonderful
results as "Sunol" (famous trotting mare) and "Nancy Hanks.'' Man certainly
has done wonders with the horse upon our soil; and 
alone the horse has done wonders for himself. I have 
sought for great performances by horses in every land. 
One hears wonderful traditions of speed and endurance 
and much unsupported testimony elsewhere ; but for re- 
corded distance and time, America easily bears off the palm. 
We shall recur to this point hereafter. Ever since Brown-Sequard 
discovered that he could not always kill an Ameri- 
can rabbit by inserting a probe into its brain, and enunci- 
ated the doctrine of the superior energy and endurance of 
the American mammal, facts have been accumulating to 
prove his position sound. 
 
 
 One peculiarity of the pony is his absence of crest. His 
ewe-neck suggests the curious query of what has become 
of the high, well-shaped neck of his ancestor the Barb*. I 
was on the point of saying arched neck — but this is the 
one thing which the Arabian or Barb rarely has, being 
ridden with a bit which keeps his nose in the air. But he 
has a peculiarly fine neck and wide, deep, open throttle of 
perfect shape, and with bit and bridoon carries his head 
just right. There are two ways of accounting for the
ewe-neck. 
 
 
The Indian's gag-bit, invariably applied with 
a jerk, throws up the pony's head instead of bringing it 
down, as the slow and light application of the school-curb 
will do, and this, it is thought by many, tends to develop 
the ewe-neck. But this is scarcely a theory which can be 
borne out by the facts, for the Arabian retains his fine 
crest under the same course of treatment. A more suffi- 
cient reason may be found in the fact that the starvation 
which the pony annually undergoes in the winter months 
tends to deplete him of every superfluous ounce of flesh 
wherever it may lie. The crest in the horse is mostly 
meat, and its annual depletion, never quite replaced, has 
finally brought down the Indian pony's neck nearer to the 
outline of the skeleton. It was with much ado under his 
scant diet that the pony held on to life during the winter; 
he could not scrape together enough food to flesh up a 
merely ornamental appendage like a crest. Most Moors 
and Arabs, on the other hand, prize the beauty of the high- 
built neck, and breed for it ; and their steeds are far better
fed. There is rarely snow where they dwell; forage 
of some kind is to be had in the oases, and the master 
always stores up some barley and straw for his steed; or in 
case of need will starve his daughters to feed his mares.
 
 The Indian cares for his pony only for what he can do 
for him, and once lost, the crest would with difficulty be 
replaced, for few Indians have any conception of breeding. 
The bronco's mean crest is distressing, but it is in inverse 
ratio to his endurance and usefulness. Well fed and cared 
for, he will regain his crest to a marked extent.''
 
 ______________________________________________
*
Juan Carlos Altamirano on Horses of La Conquista  
Dr. Phil Sponenberg on Spanish Colonial Horse 
Iberian horses genetics 
eg The Origins of Iberian Horses Assessed via Mitochondrial DNA
 
****
Prints by Frederic Remington and one by  Rufus Fairchild Zogbaum

Wednesday, September 18, 2013

Circassian horseman

Salve,
while reading a book on cavalry by a famous British cavalryman Louis E. Nolan, I came across this interesting passage on the Circassian horsemen, so let me share it with you:


   General Sir Charles Shaw gave the following most interesting account of the Circassian horsemen
 in a letter published in November, 1853, in the “Morning Chronicle.” -The noble Circassians who have been fighting against Russia, independent of Turkey, have been 
withinthis short time taken into the Turkish service; and it may be interesting to give a description,
by a Prussian officer, of the Circassian cavalry, who are about to take a prominent part in
 the coming conflict. 
He [Prussian] says: 
    The Circassian wears a pointed steel helmet, with a long horsetail pendent from it; a net of 
steel-work hangs down from the lower part of the helmet, protects the front and nape of the neck, 
and is looped together under the chin, underneath a short red vest, cut in the Polish fashion.” [sic!] 
 
   "He is clad in a species of coat-of-mail, consisting of small bright rings of steel intervened; his arms,
from the wrist to the elbow, and his legs, from the foot of the shinbone to the knee, are guarded by thin 
plates of steel; he also wears close pantaloons and laced boots. Two long Turkish pistols, as well as a 
poniard, are stuck into his girdle. He has a leather strap with a noose, like a Mexican lasso, hanging at
his side, which he throws with great dexterity over the head of his enemy; a Turkish sabre and a long 
Turkish musket are slung behind his back, and two cartridge-holders across his breast." 
 
   “The skill with which the Circassians use their weapons is really beyond belief. I have seen them 
repeatedly fire at a piece of card lying on the ground, at full speed, without ever missing.” 
 
   “They will pick up a piece of money from the ground while executing a charge, by bending
 themselves round below the horse's belly, and, after seizing the piece, suddenly throw themselves 
back into the saddle.They form the choicest body of cavalry in the Turkish service, and I have
watched them, when charging,attack their opponents with a sabre in each hand, managing their 
reins with their mouths ; they will spring out of their saddles, take aim and fire from behind 
their horses, then jump into their saddles again, wheel round, and reload their guns as they
retreat in full career. They are perfect madmen in the attack, and few troops would withstand
the utter recklessness of danger they evince.”  
 
 
 “This account of the Circassian cavalry by the Prussian officer may appear incredible to our Life
 Guards, Blues, and Heavies...”



 Above art  by Polish painter Aleksander Orłowski  and a student of Józef Brandt, Franz Roubaud.

Some more images from XIX century:













Tuesday, September 17, 2013

Dr Cothran's Pryor Mountain Wild Horse Herd genetics report

Salve
renowned scientist dr E. Gus Cothran issued a report on the genetics of the Pryor Mountain Wild Horse Herd -  reported The Could Foundation.

Please note that this is the most famous mustang/wild horse herd in the US. Documentary films have been made out these walking relics of Spanish horse breeding in the Americas, especially following the life of one stallion named Cloud -  ''Cloud: Wild Stallion of the Rockies'' ( 1995 ) and  ''Cloud's Legacy: The Wild Stallion Returns'' (2003).
 The Cloud Foundation has a nice video library and photo gallery devoted to these horses.
Well, the report has plenty of important and alarming data summarised by dr Cothran:
Genetic variability  of this herd in general is on the high side but compared to past sampling of this herd, variability levels for all measures has been in decline. This is likely due to the population size that has been maintained in recent years. Overall, the herd is showing evidence of Spanish heritage that is stronger than seen recently, although the known mixed ancestry is still apparent. This is possibly due to the efforts to remove horses derived from introductions.

 Dr Cothran onclusions: 
''Current variability levels are high enough that no immediate action is needed . However, there has been a general trend for a decline in variations levels of the herds. If the trend continues the variability levels of the herd could drop below the feral average within the next five to ten years.''
 
“The best way to maintain the current levels (of genetic variability) would be to increase population size if range conditions allow.







The report is here
Government's page 
Ps
Wikipedia has a page on the subject and hence some photos from Wikipedia.

Saturday, September 14, 2013

Steppe rider

Salve
in March I showed this drawing here, and toady I sketched a little quick one, in a sort of continuation of the theme of Polovtzi.
I have this idea to draw a few of more of these guys -  Polovetz (Cuman) warriors.


A few good readings to have:

From Attila to Charlemagne - an art book from the MET

M. Kazanski, Barbarian Military Equipment and its Evolution in the Late Roman and Great Migration Periods («3rd-5th C.A.D.). In : Sarantis A., Christie N. (eds.),

D. Glad, The Empire’s influence on the barbarian elites from the Pontic region to the Rhine (5th-7th centuries) : a case study of segmental helmets and lamellar weapons.  &  A contribution to the study of lamellar armors (..)

I. Bugarski, А New Find of a Byzantine Stirrup from Rujkovac

P. A. Nowakowski (et al), Banderia Apud Grunwald

and a review (Polish language) of David Nicolle and Sarnecki, Medieval Polish Armies 966-1500 (Osprey) by dr Nowakowski

Wednesday, September 11, 2013

A miniature Sassanian soldier figurine

Salve,
 Nadeem Ahmad, friend of mine, student of medicine and history,  and a fine reenactor from UK, specialising in the ancient Persia (Achaemenid, Sassanian etc)
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.

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.

 graciously brought to my attention this image:

It comes from a website of Aventine Minitures,excellent miniature soldiers & horses,    and it shows the scene of  Sassanian king Shapur I and warriors with the Roman Emperor Philip Arab kneeling in submission ( source - Naqsh-e Rustam Sassanian rock relief and artwork supplied by the immortal Angus McBride's illustration painted  for dr David Nicolle's The Sassanian Army). It is nicely explained on the Aventine Miniatures page devoted to this composition, and here the actual Shapur's inscription from Naqsh-e Rustam.
A larger, historical  drawing from my previous post - relief at Bishapur

The foreground  figure  is based on my illustration for Patryk Skupniewicz's article in the Ancient Warfare magazine done some years ago:

Nota bene I enjoy novels written  by the British historian Harry Sidebottom -series Warrior of Rome - dealing with this period of Roman-Persian relations. I am currently reading the last one - Wolves of the North.
Ps
A post from David Palumbo's blog on shooting (photographing) artwork . David comes from an illustrious art family - Boris Vallejo and Julie Bell

Monday, September 9, 2013

Ancient Greek cavalryman

Salve,
 last week while at a neighbourhood bookstore I read some of the articles in the Ancient Warfare magazine - you can always find some great article or two, or three there (or more, it is quite a dedicated publication - although Desperta Ferro from Spain is my favourite).

I was reading one of the articles by this quite interesting author, Annelies Koolen from Holland, titled 'Athenian cavalry in Sicily - An underestimation of the enemy’s cavalry'.
In that article there was an illustration of a Beotian sculpture (from Thespiae) or relief showing a cavalryman/rider on horseback from Athens' Archaeological Museum, all was quite fine except rider's head was missing.

I sketched a drawing based on that sculpture, and added a bit and reins, but not the bridle...

There was another article there on the Alexander's victory at Grannicus river, and perhaps I will write about this article in the future.

Also, a quick sketch based on a pot of one of the gretest ancient cavalry reenactors John Conyard from British reenactment group Comitatus, an association of ladies and gents who are fabulous in their zeal to reconstruct ancient warriors, their equipment and spirit. By the way many illustrations showing ancient cavalry etc are based on Comitatus  photos.
I salute these passionate people - Ave,  Comitatus!
 These sketches were done with Pentel's Hybrid Technica pens, while colors were added with GIMP (Ubuntu 12.04 for Painters OS )

Sunday, September 8, 2013

Project White Eagle

Salve,
some time ago in June I mentioned this anniversary - 718 years since white eagle (aquila)  was officially adopted as Poland's national emblem.
Eagle has been the symbol of  states and tribes and clans since time immemorial, Greeks, Romans, and Scythians, just  to name the few. In ancient Greece and  republican Rome  eagle was the companion of Zeus and Jupiter, carrying their thunderbolts, one of the symbols of the Roman Republic. With these divine thunderbolts in his claws eagle also became  the symbol of Imperial Rome, and the symbol of Rome's legions. Imperial Byzantium had a two-headed eagle as its symbol (according to Konopczyński it derives its symbolic two heads from Roman god Janus), while Charlemagne had his palace in Aachen adorned with a large image of the royal raptor. It would eventually  became the symbol the the Holy Roman Empire. (in 1410)
During the high Middle Ages the lands of central and south central  Europe, from Modena, Karniola, and Serbia in the south , through Tyrol, Bohemia, Moravia, Holly Roman Empire and lands of Polish principalities eagle would become the principal image in their coats of arms., while in the north and west image of the lion would dominate.
In Polish history - the Piast state - the first image of an eagle come from a denarius minted by our first king Bolesław  the Brave, while the first mention to the eagle may come from Gallus Anonimus, the author of his 'Gesta principum Polonorum,' who  wrote in the early XII century that Polish troops carried victorious signs.  Wincety Kadłubek, another chronicler and author of the first use of a 'res publica' term for  Poland, wrote that in 1182 our duke Kazimierz II's troops carried ''the signs of a victorious eagle, symbol of royal majesty,'' in the battle against the Kievan Rus troops at the battle of Brest in 1182., so during the Period of Fragmentation various Piast dukes and princes adopted eagle as their heraldic symbol,  first in Silesia, then in Lesser Poland and Greater Poland, later in Kujawy and Mazowsze.
First it was duke of Wrocław Henryk IV Probus who already possessing  the heraldic symbol of black Silesian eagle,, added white eagle, but without a crown, as his second heraldic symbol  in 1290, when he took the throne of Krakow and Lesser Poland.  A month later he had the same eagle, but with a crown on its head, on his seal.
Upon Henryk IV's death, his successor,duke of Greater Poland and Gdańsk Pomerania , Przemysł II took, as per his agreement with Henryk IV,  the throne of Kraków and with it the heraldic symbol of the royal seat - White Eagle. It has been determined that the eagle was white, with a gold ribbon across his wings and chest in the fashion of the Silesian eagle, and its heraldic shield/field  was red/crimson.

I started this project - drawing king Przemysl II in his most royal appearance, most likely mounted, on a fully caparisoned horse.

sketches:

 .

sources
.. from National Archives at Kraków :
Duke Henryk IV Probus - with Silesian eagle on his shield - a drawing from his tomb

.. Henryk IV  Probus from his sepulchre - coats of arms on Poland and Silesia

..  Henryk IV Probus  as shown in the mauscript Mannese Codex - great source for the period costume, weapons, heraldry and horse tack - here the caparisoned horse

.. another Silesian Piast prince Henryk V of Legnica


..Bolko I of Świdnica-Zębice - particularly splendid effigy of this Piast prince

..
King Przemysł II as drawn by Jan Matejko
.. king Przemysł II's royal seal - Premisl II Dei Gratia Regis Poloniae Domini Pomeraniae

.. Szczerbiec

.. the inscription on this Przemysław's seal says: Redidit ipse potens vitricia signa Polonis (God Almighty returned Polish victorious signs, ie, the eagle)

..

to be continued
* into to Polish heraldry on Wikipedia 

Ps
also, Sept 8  is an anniversary of the Orsza victory(Orsha battle) fought between the Lithuanian-Polish forces under knez Ostrogski (Kanstancin Astrožski ) and the Grand Duchy of Muscovy army under Chelyadnin and Knez Bulgakov-Golica in 1514.  The battle is famously depicted in the Orsza painting (National Museum in Warszawa), one of the most important iconographic sources to the period; please note that early Polish hussars (based on the Serbian and generally speaking Balkan mercenaries) are depicted in the painting.
A song celebrating this victory in Belarusian - (and lyrics)
another song (in Belarusian)