Salvete Omnes,
I would like to share with you two interesting examples on fair use of art and also on the need for caution when looking at the period art.
Stefano della Bella - Italian artist working until the 1660s - active in Rome (papal court), Florence and Paris (French court), creating his own art in the form of drawings, then engraving & etching and printing his creations.
MET has this image - Polish horseman, part of the 'Figures on Horseback' (Cavaliers nègres, polonais et hongrois) collection.
Rotameister or rotmistrz Pieczowski in 1645AD |
this etching - dated to 1648-53 - , aside his beauty and artistic aspects, is very rich in the material cultural details, as it is most likely than not that the actual drawings drawn by della Bella, eg in situ when our royal Polish ambassador's cavalcade entered Rome in 1633 , served as the source material for maestro Stefano.
The embassy of 1645 - the royal Polish ambassador's entry into Paris in 1645 - drawings held in the British Museum, and my posts about them here & here.
instead of the mace our king carries a nadziak (horseman's pick) |
This time the rider became a Tatar Khan with the Ottoman Turkish army in the background .
enjoy