Dariusz caballeros: Early modern spurs from Bonifacio Veronese's Adoration of the Magi

Salve,
La Serenissima had ruled her multiethnic empire until Bonaparte extinguished her completely, but her lands, between the foothills of the Alps, isles, plains and valleys of Dalmatia, and sweet scented mountains of Crete and other islands of Greece were fertile grounds for intermingling of styles and types of weaponry, horse equipment, costumes and fashions. Artists working within her territories, especially in Venice close vicinity, left ample evidence of their familiarity with their neighbors (Turks, Hungarians, Germanic folks) and subjects (Slavs, Greek, Albanians).

So let us give a quick look at two sets of spurs from an early modern (early XVI century) painting by a Venetian artist known as Bonifacio Veronese or Bonifacio de' Pitati.

The photos of the painting are not very sharp (via Wiki Commons),but one can see two types of these fine equestrian tools of late Medieval/early modern cavalryman

the Magus of the yellow boots ( a Moor Balthazar ) carries a Turkish sabre?

Magus of the green boots (Melchior) has his sword covered, only the scabbard's butt is visible, presumably of the sabre (because it is curving, and he is a Magus -:) )

Short shank, pointing downward, with a large robust 6-points star rowel, gold-plated, also a nicely visible buckle of the spur, note the green Maroccan leather boot

slender longer shank with a rather delicate looking 6-point star rowel, perhaps gold-plated,

manner of securing the spur on the ankle, note soft tanned yellow boot

In short, these spurs belong to the long tradition of the Medieval riding equipment; the same tradition would live until our very modern age.
and some other images that are interesting