Showing posts with label imperial China. Show all posts
Showing posts with label imperial China. Show all posts

Thursday, February 13, 2025

Quian Xuan - late Song and Yuan painter

 Salvete Omnes,

a noble horse archer 

Quian Xuan (1235-1305) - was a painter and calligrapher during the Song and Yuan dynasties of China. He grew up during the conquest of Chinese states by Chingiss Khan and later creation of the Yuan, Mongol, Dynasty.  He is known by his intricate paintings of birds, landscapes, and mixing of the late Song style and ancient Tang one.   


Liao Dynasty period painting of the famous consort


Consort Yang mounting a horse while emperor is watching. - Smithsonian has a page devoted to this artwork.

Tang emperor and his eunuchs retainers


consort being helped to mount the horse . Note the dragon on the saddle's skirt


Yang Guifei was considered one of the Four Beauties of China, and subject of many paintings and artworks in the Chinese and Japanese arts. eg this Wiki Commons page.
During the An Lushan rebellion when imperial forces were all but defeated, the Tang guard soldiers surrounding the emperor forced him to order his favorite consort to commit suicide. She died in July 756 Ad, but went on to live as the object of art and poetry and novels in the Asian history etc. 


Valete

Friday, February 1, 2019

Flying Horse of Kan-su/Gansu

Salvete Omnes,
new month - February is a bit cold in our Northern Hemisphere so let us go back to the times when earth was much warmer that today and winters were not so crazy as the one we have now over the American Midwest.

today, at first it was going to be  just a quick post that grew and morphed into a larger thing -:), perhaps a little bit of an intro about the complicated relations between the steppe peoples of the later I millennium B.C.-early I millennium AD and the Han Chinese and their great empire that created true China after the short lived Qin empire of Qin Shi Huandi.
This uneasy relationship is perhaps epitomized in the figure of famous Flying (galloping) horse of Kan-su (today written Gansu)

During the most of Han empire the Hexi Kan-su corridor was the area of much fighting, at first in the early II century BC  between the Yuezhi or the nomadic Indoeuropean of this area against the invading Hsiung-nu (Xiong-nu - perhaps mix of Indoeuropean, Turkic and Mongolian tribes) or nomadic Mongolian steppe dwellers who wrestled  Kan-su and Tarim basin from the Yuezhi (who in turn pushed the Saka into Bactria, Northern India and eastern Persia - hence Sakastan in Persia and Saka in the Parthian armies), while the Xiong-nu eventually faced the Han Chinese armies moving north and north east.

After much fighting the Han empire broke and conquered the Hsiung-nu (Xiong-nu) of their immediate vicinity - famously it was general Dou Xian who had  accomplished this - and pushed them out of  Kan-su and entered the rich oasis-kingdoms of Tarim Basin (today Uigur homeland within the Peoples Republic of China) and moved west towards the Tien-shan mountains and beyond.
In the vastness of Tarim the Han emperors established the Protectorate of the Western Regions, and until the end of the Han rule it was the area of much warfare and diplomacy but also of large trade routes, giving rise to what later has been named  the Silk Road and growth of  rich cities of Central Asia like Bukhara, Merv, Herat, Samarkand etc.
From the start when Han armies stood on the empire's northern frontier they had to rely on horse transport, and Han administrators established a very elaborate trade in horse and horse breeding along the Kan-su frontier and other northern frontiers. The needs of the imperial armies were huge - some 300,000 were needed for campaigns and army maintaining outer frontiers along the western and northern Han empire  perimeter - said one ancient Chinese historian.
These great horse needs put even greater strain on the empire's ability to produce war horse or even good sumpter horses (and for some reason Han Chinese were not best horse breeders, even after capturing Ordos Steppe and Kan-su steppes, and forcing curious Dian Kingdom into Han 'yoke'), thus making horse breeding of quality stock the most important task for the empire administrators,  and forcing much reliance on constant horse tribute from conquered nomadic tribes and states and also seeking trade horses obtained via exchange for ever-desirable Chines silk.

But not all people along the trade and geopolitical Chinese empire power routes were willing to trade their equine wonder weapons aka blood horses to the Chines adversaries (real or potential) without some or more resistance, so from the Chinese sources we have the story of the expeditions to the West, including the expedition to get the heavenly/celestial horses from Ferghana between  111-102 BC.
here we have perhaps a symbolic heavenly horse, his neck and tail high while galloping and neighing at the same time, as powerful stallions tend to do; note the forelock tied, in a typical nomadic style denoting a war horse.

 
 
 
 
 
Perhaps more about the Han horses and cavalry in the future.

Valete  &  Khoda Hafez

ps
images from Wiki Commons

Thursday, July 14, 2016

Zhao Mengfu's horses

Salve,

again thanks to the users of the Wikimedia Commons, we are given  a rare glimpse into the world of Chinese painting some 700 years ago.

First, I am going to add that I do have a favorite dynasty of the Chinese awfully long imperial history - that would be Tang China and her multiethnic empire (at least until the An Lushan rebellion).
Yuan Dynasty is a Chingizid Borjigin Mongol dynasty that had conquered then much partitioned China, unified the country into one imperial state but eventually, after about a 100 years, was forced out of the 'Han' China by the nationalistic Han revolt which in turn  gave raise to the Ming Dynasty etc (I am sure you can read all about this on the Web).
Chinese arts did not stop flowing under the Borjigin Celestial Emperors - eg article on the subject here.  A sample of figurative art under the Mongol rule.
Yuan Dynasty, Yang Guifei Mounting a Horse, by Qian Xuan (1235-1307).

So, this artist Zhao Mengfu came from the highest circles of the Mandarin clans, from the imperial (Song Dynasty) clan of Zhao. He was a prolific artist and awfully skillful calligrapher.











for now we will just enjoy the paintings themselves, but in the fure I may exlpore some interesting info appearing in these works of art.

enjoy

Sunday, August 15, 2010

Cavalry and horses of Northern Wei - China nomadic rulers





Salve,
Let us return to China and its nomadic heritage and equine past, to the time of the IV-VI centuries AD.
When in the western Eurasia and around the Mediterranean Sea classical Antiquity was slowly dying under assault of the Germanic barbarians and new religion, and where her direct heirs, Eastern Roman (Byzantine) Empire and Sassanid Persia, were locked in series of never ending wars, in the eastern Eurasia Chinese Han, eg. a Han rider from Cernuschi_Museum , empire  Han_Dynasty collapsed amid fighting and corruption, and rivalry amongst the ruling clans. China rulers and conquerors  divided the Han empire into  Three_Kingdoms , while some parts went back to the nomadic peoples as they were restless and seeking their own empires, and soon, in the VI century AD,  almost the entire steppe was to be united under the Turkuts (ancient Turks) gumilevica.kulichki.net   beautifully reconstructed in this Russian article http://history.novosibdom.ru/node/31  or on this page ancient Turks articles ,  future arch-enemy of the Tang Dynasty and Sassanid Iran. 

 Three Kingdoms eventually collapsed and in the south of China we then have a leading Jin dynasty Jin_Dynasty 280-420 AD, but  their rule in the north was challenged by the nomads during the  IV century AD.  Because  in Han's wake the northeastern nomadic peoples of the Eastern steppes were bound to create their own smaller and bigger kingdoms, and  one group of proto-Turkic nomads seemed to distinguish itself -  Touba Xianbei xianbei . They absorbed  exhibit/nwei   former masters of the eastern steppe, multiethnic polity of the Xiongnu  xiongnu image002  (wonderful reconstructions  on this Siberian archaeology page history.novosibdom.ru/?q=node/45  ) that were chief enemies of Chin and Han dynasties empires until Han armies destroyed their might  xiongnu.atspace.com     xiongnu.atspace.com/art
article Xiongnu mutliethnicity archaeology
 xiongnu belt plate

 xiongnu silkroadfoundation.org
Toba/Touba Xianbei northern wei essay were most likely Mongolian/Turkic nomads, that came southward from the Manchurian steppe, and upon taking over the Inner Mongolia moved further south, and eventually in concert with Han Chinese elites created their own empire known as Northern Wei (386-534 AD), becoming sinicized towards the end of their rule over the Han populations.  Their steppe enemies were Turkic juan_juan  , some scholars believe they were know as Avars in western Eurasia.  Slav-Avar belt plaques/mounts 
 more images of steppe art, in this article associated with ancient nomadic Bulgarians bolgnames.com/text/Treasure.html
But Northern Wei was just one of the kingdoms or empires in China of that time Southern and Northern Dynasties, before the first reunification of Han China by the short lived Sui dynasty  Sui_Dynasty


In the history of the development of war horse harness this period of the II-VI century AD , within the eastern Eurasia milieu, had been the most  fertile ground  for revolutionary changes - it was the time of the development of solid  'treed' saddle (with pommel and cantle) from Saka/Sarmatian saddle development eg  



, curb-bit, stirrups, horse armor. Naturally some of these inventions were made within the Eastern Eurasia by the  various nomads and Han Chinese, and some came from the West, from the Sassanid Iran (Persia) etc.



Some visual sources showing artifacts of Northern Dynasties,  mostly ceramics and few paintings :

military man/officer in a nomadic costume  (Northern China) 
Xinabei belt buckle, with dragon images, this kind of belt buckle has been known to the nomads of the eastern Eurasia since II millennium BC 
warrior in armor http://history.cultural-china.com/chinaWH/images/exbig_images/d710523115ea14f25607036d17243364.jpg 

mounted musician http://history.cultural-china.com/chinaWH/images/exbig_images/2d0edc1388eb068996a61423fecca491.jpg
nomadic musicians  china. Wei musicians on horseback
riders, horses, and camels (Bactrian) of Northern Wei 
muscian with nomadic 'horse' drums
nomad on a Bactrian camel
 ...
archers from frescoes of the  Dunhua caves dunhua53
 heavy cavalry, Dunhua frescoes dunhua54
rider with a horn
heavy cavalry cataphract
heavy cavalry cataphract II
heavy cavalry cataphract III
 the above heavy riders are shown without spears and swords, and without spear holster, that only very few sculptures show (I will show them in a separate entry on this blog I hope)

more ceramics ceramics - fine steeds:
horse I
horse II
 

here we have fine example of Northern Wei horse armor and saddle
armored horse
 

Northern Wei tomb guardians silkroad/exhibit/nwei/nwei
Northern Wei  neighbors
beautiful painting of two riders from Northern Qi
(550 - 577AD) dynasty 'Xianbei' tomb of one Liu Xian, part of a series of funerary painting showing horsemen riding and hunting  with dogs  riders northern Qi_Dynasty.jpg please note that they are using stirrups
 

In the western part of the 'Chinese' steppe, in today's Chinese Turkestan, lived Tocharians, Indo-European people of the eastern part of the Silk Road,   Tocharian Qizil Cave Donors Their towns and fortresses will become of part of the Tang Empire, and from there Tang China will clash with oncoming Arab conquerors of Central Asia, in the battle on river Talas.

Some literature on war, Iranian influences in China, 'Chinese' nomads, Chinese military during the end of I millennium BC and fist 500 years of I millennium AD time frame etc:

 Articles on Iranica about the ancient China-Iran relations.
Excellet book by prof. Nicola di Cosmo, Ancient China and its Enemies .
Many works of  porf. Albert Dien - like his very interesting article on the pre-Tang armor in China, while another one -  on Chinese, Korean and Japanese horse armor - is also a very interesting one, and here a link to his very interesting book on the life  and arts of   six dynasties
Chris Peers, and Michael Perry work for  Osprey Miltiary Publishing,   for this period there is vol I of imperial China series  Imperial China
and  another Osprey, rather  badly needing rewriting,but with beautiful iconography and illustrations by late Angus McBride, Atilla and Nomad Hordes, by dr Nicolle -  Attila and hordes .

 For reconstructions of the nomadic warriors you can look for  "Warriors Of Eurasia, from the VIII century BC to the XVII century ad" by Mikhael V Gorelik, Montvert Publications, 1995.
For the nomadic Bronze and Iron Age art in China nomadic heritage best are the  books by art historian Emma Bunker , eg Ancient Bronzes of the Eastern Eurasian Steppes or Nomadic Art of the Eastern Eurasian Steppes

but there is  this article written by two art galleries, Janssens and Wace with Emma Bunker help, on the nomadic Bronzes .
Also, a very  interesting book by Davis-Kimbal, Bashilov and Yablonsky:  Nomads in the Early Iron Age .

 ***
  Finally the Orlat belt plaques - found by Galina Pugachenkova -  these are some of the most important images of Central Asia nomadic warriors and warrior lore, perhaps  Xiongnu warriors in this article  with detailed drawings Mode Orlat and Russian language version by messers Nikonorov and Khudiakov on Academia.

...and so many others, one only needs to starts searching the net and peruse resources and libraries...

In China equine-military history overview treads on my blog, next I think I am going to tackle the Tang China and her marvelous horse.
And here is a very interesting site with reconstructed images of Chinese warriors' arms and armor throughout the history china-ancient-armours

ps
 I hope to cover some of the subjects mentioned above  in more specific blog entries with my own reconstruction etc.
ps'
little sketch of a Sui or Korean caparisoned horse, drawn without a bridle nor bit - on purpose :)

Tuesday, July 20, 2010

China I - Tang Taizong and his steeds




Salve,
I am planing to start blogging more about the Eastern Eurasian Steppe, the Altai Saka, Xiongnu, Tocharians of Eastern Turkestan, Turkic empires, Mongolian and Chinese cavalry and horsemanship. While I am not planing to abandon European knights and horses, I think I must devote much more space and time to these splendid cavaliers of the Ordos Steppe and Orkhon River plains.

Actually, I am very fascinated with the early nomads of the eastern Eurasia, especially the Upper Altai of South Siberia during the Bronze Age and in the first millennium BC . And in the light of their development in the arts of horsemanship and horse tack, their ( Saka and Xiongnu) influence on their southern neighbours - the Chin, Han, Sui and Tang Chinese, and the Koreans and Tibetans.
I have been working on some illustrations showing Tang and Sui Chinese horse tack based on their art, especially the famous sculpted horses. We shall revisit writings of Karl Hrinz Ranitzsch, Albert Dien, Di Cosmo, and other scholars studying Han, Sui and Tang Chinese cavalries (that were not necessarily Han Chinese per se, but included Saka, Tocharians, Xiongnu, Persians, Uigurs, Turks, Tibetans etc).
So let us treat this entry as a introduction to the subject or perhaps rather an announcement. And in order to put some cream on this bland cake :) let me provide you with a link to the fascinating subject regarding my most favorite emperor of the Chinese history - Tang Taizong http://en.wikipedia.org/wiki/Emperor_Taizong_of_Tang - and his six horses.
This link comes via Facebook from Penn State and it is the entire dissertation of Xiugin Zhou on the Tang Taizong mausoleum to himself and his six steeds - tang taizong horses
http://www.facebook.com/note_redirect.php?note_id=115480258202&h=b0fb8c794d67ba8b6b81c9cdfb099f60&url=http%3A%2F%2Fwww.sino-platonic.org%2Fcomplete%2Fspp187_taizong_emperor.pdf

In addition there is this essential work on the Eastern Eurasian horse warriors and their swords during the ancient and early medieval periods - titled 'The Long Sword and Scabbard Slide in Asia'by William Trousdale, profusely illustrated with period images smithsoniananthropologyTrousdale
http://www.sil.si.edu/smithsoniancontributions/anthropology/SC_Abstract.cfm

I hope to start writing soon on these Eastern horses and their riders

ps
for some reason my links did not want to display themselves properly so I am attaching them for a 'copy and paste' 'linking'